"Quietly entertaining, thought-filled. . . . The narrative voice is particularly congenial--cool and unflappable, often humorous." --Washington Post Book World
Not since The Moviegoer has a first novel limned the human condition with such originality and subtle insight. A small-town iconoclast who is at once deeply principled and occasionally as absurd as the world he rebels against, Quintus Horatius Flaccus (or Horace) has assumed the name of a Roman poet and has forsworn automobiles, and entertains himself by telephoning strangers to ask them what love is or what they think of St. Bernards. His neighbors in the Midwestern town of Oblivion consider him wacko. This suits Horace just fine, since all he wants in life is "the serenity of not caring."
But people are conspiring to make Horace care about them. There's the dying librarian who finds Horace's morbid curiosity oddly bracing. There's the mysterious woman whom Horace rescues, only to become obsessed with her identity. And as Horace finds himself drawn into their affairs, Horace Afoot depicts the unruly dialogue of his mind and heart with sly wit and splendid generosity of feeling.
"Delights continuously with its humor, originality and . . . unfolding personalities." --Rocky Mountain News
This book is best described as the literary equivalent of a Jim Jarmusch film. By this, I mean that it's somewhat plotless, meanders greatly, and doesn't really seem to be about what it purports itself to be about, but a viewer (or reader, in this case) is left with the overwhelming impression when all is said and done that they've just witnessed an artistic stroke of brililance, even if they can't explain why.
Horace is a man of ambiguous past. While hitchhiking, he becomes enamored of a town named Oblivion and decides to make it his home. Shunning automobiles and human contact, he spends his days and nights making random phone calls to strangers and memorizing the words of the great Latin philosophers. Along the way, he befriends a cancer-stricken librarian, he rescues an injured crow, he saves an assaulted woman from what seemed at the time to be certain death. And that's just about it...
Well-written and occasionally thought-provoking, this book is enjoyable but never nearly as briliant as the critics and blurbs would leave you to believe.
I saw Frederick Reuss speak at a conference; he is a good speaker. Afterwards, I ran into several times. He was kind enough to speak to me about writing, among topics. Needless to say, I immediately went out and got his book. Reuss' style and skill are excellent. However, I did not like the protagonist of this book. He was a little mean, and aloof. The plot was ordinary. I look forward to reading more from Reuss.
I liked the central character of this book surprisingly much, He's a real idealist: frank, honest, kind of asperger's -like in his quirky isolation. Also, depiction of the library staff in this book rings true for this librarian! The last few chapters, when the main character's new-found relationships in the town of Oblivion play out, I found very amusing and poignant.
I rather liked this novel, finding it interesting. It did lack a plot but still kept me turning the pages. The main character was interesting full of what I would describe as morbid philosophy. Horace isolates himself with his philosophy but still can't stay completely without outside contact. He is an odd quirky character who will make you and keep you interested and intrigued.
An unusual novel about a very unusual character. Horace has tried to isolate himself into a world devoid of emotions and attachments, but he gradually re-enters the world through a friendship with a dying small-town librarian and an accidental involvement in a local crime.
Living on the fringes of small town America, Quintus Horatius Flaccus responds to events through his chosen persona, Horace. Favorite quote: "THe ruse of an old librarian. To become more interested in your research than you yourself are."
This book was weird, but sometimes weird is good. I think I would have loved it when I was in high school - jabs at the banality of middle America, quotes of Latin poetry (in Latin) and a character who takes Sylvia Plath as a pseudonym.
An interesting plot set-up, but esentially no real story. Found it very hard to connect to the characters, ot take anyone's side in the story. A poorly written version of Catcher in the Rye.