The Acrobats is about a group of ex-patriots and and native Spaniards living in Valencia in 1954. The events take place over a few days, and switches rapidly between this set of crisply drawn characters. Some are portraits in miniature, others mere sketches or representative types. There is Andre Bennet, the twenty-something Canadian painter; Roger Kraus, the middle aged German veteran of both the Spanish Civil War and World War II; Chaim, the owner of a successful night club; Toni, a dancer in the club; Barney and Jessie, a dissolute married couple; Guillermo and Manuel, two communist counter-revolutionaries; and so on.
Valencia is described colorfully, and some of the best writing goes into developing the city as a decayed, dying place, a melting pot for the lost and the desperate, where the only hope is to somehow leave. It reads as an even more desperate place than the description of Casablanca in the film of the same name.
Andre is nominally the lead character. He is traumatized by something in his past, he is drunk much of the time, but when sober he is still behaves confusedly and even hallucinates. Because of this he is a poor choice of main character. Also, his characterization is clunky. He is self-possessed one scene, childish in another, savvy in another scene, then naif the next. This can not be explained by his mental state, this is just uncertain characterization.
A better choice for a lead character is Chaim, the club owner. A survivor, he has the Rick part. As the stories of the various characters move forward and overlap, they all intersect with Chaim and his club. He is the relatively calm center of the crumbling lives in this crumbling city.
The villain is nominally Kraus, but Richler enters into Kraus' mind also, to make us understand Kraus' motives and point of view. To Kraus, he is the hero and believes Andre is the villain. Kraus' later actions are what can be described as an early (the first?) depiction of what we today term post-traumatic-stress-disorder.
There is enough good writing and interesting story and place here to justify giving The Acrobats a read. At times the characters are too obviously symbols, and when Richler tries for a profound one-liner he stretches himself too far. But as a first novel for a great writer it is very good.