I brought this book along on a cross-country flight, stupidly failing to bring a back-up read. The first and last quarter of this book tells the story of tragic story of displaced Northerner Vienna Daniels from the perspective of a boy who lives on a neighboring farm in West Virginia. He is fascinated by Vienna and her precocious children, who occasionally serve as narrators as well. I find adult books written from the point of view of children often tough to manage unless there are interesting plot developments or a realistic child voice. Unfortunately, the first 100 pages or so were, frankly, boring. Neither the story nor the writing was sufficiently engaging, which is a shame as the book does get better. Mosby is no Aimee Bender or Emma Donoghue, sadly. And Vienna, the main character, appears rarely during the first part of the book. We learn very little about her except that she is "crazy," and seems miserable and isolated. I feel like this part of the book could have been at least 50 pages shorter.
Around page 120, the story flashes back to Vienna's arrival in West Virginia and tells the story of her life chronologically. Honestly, if I hadn't been stuck on a plane with nothing else to read I would have given up early on. But I'm glad I didn't, as the main part of the story was fascinating, with witty dialogue and lots of social commentary on the South, race, gender roles and small town life. The earlier one-dimensional presentation of Vienna actually provides a nice counterpoint to this part of the book. And despite the foreshadowing of a unhappy Vienna in the future, it's easy to get sucked into the story and fall in love with the very memorable and complex characters. But ultimately, I found the story unnecessarily tragic and depressing with little to show for it, kind of like Vienna's life. The ending was particularly maddening, abruptly failing to tie off any of the many subplots and leaving me disappointed and angry at myself for bothering to read this book. I should also mention that while the author is a poet, I found her strength to lie in dialogue, not description. I didn't find her style particularly compelling or achingly beautiful. If I had, I would have forgiven her the cruel plot and the paternalistic depiction of people of color. If you like Southern Gothics, then you'll probably like this. Not my cup of tea.