Maria Williams-Russell's debut chapbook is a dark and sometimes surreal collection where domestic life is not only lonely but buzzes with potential harm. Disillusioned, the poems offer language and images of home, motherhood and romantic love that come out of a resigned duress and which include bees, bats, car accidents, war, and strangers knocking at the door. Even so, the speaker of the poems finds ways to "...when the men walk through the house/ I pretend my body is the frame/ and they a flock of birds/ caught for a moment in the rafters."
We are the publisher, so all of our authors get five stars from us. Excerpts:
HOW WE LIVE
War sits across from me in the tub. He has not said a word, but fountains spit through his blurred teeth and that incessant dark grinning make it impossible to read. I always retreat, place the damp page between me and cracks in the porcelain. Or slip beneath to listen for intruders in the pipes. We are married many long years now. He has seen me shiver and pace and raise a knife against his camouflage. Some days, it feels he might tire of me and then I am even more a widow. Other days, I think he pours my tea.
MORNING PRAYER
Cartoons have taken over the house. The children and I avoid the bombs and dropping anvils by wishing for a pet. We are singular in our dream and disappear inside the mayhem by believing we are rubber chew toys or long balls of yarn. We have even dared go as far as to sneak a small dish outside the door. Dear Lord, send a bird for me and for the children something with a broad back. If anything comes, let it know we bleed.