This volume contains solos, duets & songs by 16th century composers for the guitar, lute & vihuela including Milan, Narvaez, Dowland, Cutting & others. The anthology is illustrated with introductions & notes.
I see that someone else has covered the ground pretty well, so I’ll just add two things:
Firstly that, rather than using standard tuning, most the pieces would be better arranged for 3rd string to F# (as in Nº 52), to simulate lute-tuning: using normal tuning just creates problems for yourself, in all but a few cases¹. Still, the fingering is generally easy enough to change, so it’s still a good book.
And secondly, here’s a list of the pieces:
01) Anon: Spagnoleta 02) Fuhrman: Tanz 03) Besard: Branle Gay 04) Cutting: Toy 05) Anon: Wilson’s Wilde 06) Anon: Lesson (Duet) 07) Campion: Shall I Come Sweet Love to Thee? (Song) 08) Le Roy: Branle de Bourgogne 09) Anon: The Parlement 10) Dowland: If My Complaints (Song) 11) Anon: Volt 12) Milano/Matelart: Recercate Concertante (Duet) 13) Valderrábano: Sonnet 14) Milan: Pavan 15) Anon: Fantasia 16) Dowland: The Round Battle Galliard, P. 39 17) Campion: Never Weather-Beaten Sail (Song) 18) Anon: Le Rossignoll (Duet) 19) Dowland: Tarleton’s Resurrection, P. 59 20) Mertel: Ballet 21) Holborne: Galliard 22) Anon: The Cobbler 23) R. Johnson: Alman 24) Rosseter: Galliard 25) Milan: Toda mi vida os amé (Song) 26) Holborne: The Night Watch 27) Anon: Drewries Accordes (Duet) 28) Dowland: Air, P. 49 29) Anon: Go from My Window 30) Vásquez: Morenica da me un beso (Song) 31) Robinson: A Toye (Duet) 32) Fuenllana: Fantasia 33) Cutting: Greensleeves 34) Narváez: Guárdame las vacas 35) Dowland: Melancholie Galliard, P. 25 36) Campion: When to her Lute Corinna Sings (Song) 37) Mudarra: Gallarda 38) Pilkington: Mrs Anne Harecourt’s Galliard 39) Dowland: The King of Denmark’s Galliard 40) Dowland: Queen Elizabeth’s Galliard, P. 41 41) Dowland: Lady Hammond’s Almaine, p.48² 42) Dowland: My Lady Hunsdon’s Puffe, P. 54 43) J. Johnson: The Flatt Pavan (Duet) 44) J. Johnson: The Galliard to the Flatt Pavan (Duet) 45) Holborne: As I Went To Walsingham 46) Dowland: Come Heavy Sleep (Song) 47) Cutting: Almaine 48) Rosseter: Mrs Taylor’s Galliard 49) Pilkington: Rest Sweet Nymphs (Song) 50) Mudarra: Fantasia 51) Ballard: Entrée de Luth 52) Dowland: Fantasie, P. 1 53) Campion: My Love Hath Vowed (Song) 54) Ford: Mrs Southcote’s Pavan (Duet) 55) Bartlet: When From My Love (Song)
¹Mostly pieces in A Minor or D Minor, wherein an open F# tends to be a hindrance rather than a help. ²Lady Hammond’s is normally called Lady Laiton’s, and is named thus in Dowland's autograph in the Folger manuscript.
This is a fantastic introduction to lute music for guitar players and was my entry point for playing period music. There is some history, a variety of graded material, and notes on performance. I highly recommend this.