The Abduction from the Seraglio was the earliest of Mozart's five most famous operas, which include The Marriage of Figaro, Don Giovanni, Così Fan Tutte and The Magic Flute, and the first work he was to write for the Viennese stage, where it was successfully premiered in the summer of 1782. Written in the comparatively unsophisticated form of "Singspiel" — in which most of the action takes place in spoken dialogue, followed by songs in which the characters express their inner feelings — it does not rely for its effects on Mozart's genius for dramatic music, revealed more fully in his later works. Rather, it radiates an abundance of musical charm, youthful high spirits, and spontaneous good humor, evergreen qualities that have made it one of the most engaging and least pretentious masterpieces in the history of opera. It is an extremely challenging work for singers, technically beyond the vocal means of many of even the finest operatic performers. Because it has been difficult to assemble ideal casts, worthy productions of The Abduction from the Seraglio have been fewer than for Mozart's other major operas. By means of excellent recordings, however, modern audiences have come to appreciate fully its truly superlative qualities. This fine edition has been reproduced from an authoritative Breitkopf & Härtel edition, printed on durable paper and sturdily bound for a lifetime of pleasurable use. With it, students and lovers of classical music can study the score intimately, increasing their enjoyment of performances of this splendid comic opera.
Johann Georg Leopold Mozart, the Austrian composer, toured Europe with his son, child prodigy, noted Wolfgang Amadeus Mozart, who gracefully and imaginatively refined the classical style with symphonies, concertos, operas, Masses, sonatas, and chambers among his 626 numbered works.
Wolfgang Amadeus Mozart prolifically influenced the era. Many persons acknowledged this pinnacle of piano and choral music. His popularity most endures.
Mozart showed earliest ability. From the age of five years in 1761 already competently on keyboard and violin performed before royalty. At seventeen years in 1773, a court musician in Salzburg engaged him, who restlessly traveled always abundantly in search of a better position.
Mozard visited Vienna in 1781; Salzburg dismissed his position, and he chose to stay in the capital and achieved fame but little financial security over the rest of life. The final years in Vienna yielded his many best-known Requiem. People much mythologized the circumstances of his early death. Constanze Mozart, his wife, two sons survived him.
Mozart always learned voraciously and developed a brilliance and maturity that encompassed the light alongside the dark and passionate; a vision of humanity, "redeemed through art, forgiven, and reconciled with nature and the absolute," informed the whole. He profoundly influenced all subsequent western art music. Ludwig van Beethoven wrote on his own early in the shadow of Mozart, of whom Franz Joseph Haydn wrote that "posterity will not see such a talent again in 100 years."
c’était très honnêtement plus amusant à lire que ce que je pensais, j’ai passé un plutôt bon moment je crois, c’était parfois drôle, bref, j’ai plutôt apprécié, mais j’ai l’impression que c’est une toute autre expérience de le lire que de le voir / entendre, j’ai complètement mis de côté le côté opéra dans cette lecture (et c’est ça que j’ai apprécié)