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The Undefeated
Based on the screenplay by James Lee Barrett.
128 pages, Paperback
First published January 1, 1969
39 people want to read
About the author
Jim Thompson
154 books1,608 followersLibrarian Note: There is more than one author in the GoodReads database with this name. See this thread for more information.
James Myers Thompson was a United States writer of novels, short stories and screenplays, largely in the hardboiled style of crime fiction.
Thompson wrote more than thirty novels, the majority of which were original paperback publications by pulp fiction houses, from the late-1940s through mid-1950s. Despite some positive critical notice, notably by Anthony Boucher in the New York Times, he was little-recognized in his lifetime. Only after death did Thompson's literary stature grow, when in the late 1980s, several novels were re-published in the Black Lizard series of re-discovered crime fiction.
Thompson's writing culminated in a few of his best-regarded works: The Killer Inside Me, Savage Night, A Hell of a Woman and Pop. 1280. In these works, Thompson turned the derided pulp genre into literature and art, featuring unreliable narrators, odd structure, and surrealism.
The writer R.V. Cassills has suggested that of all pulp fiction, Thompson's was the rawest and most harrowing; that neither Dashiell Hammett nor Raymond Chandler nor even Horace McCoy, author of the bleak They Shoot Horses, Don't They?, ever "wrote a book within miles of Thompson". Similarly, in the introduction to Now and on Earth, Stephen King says he most admires Thompson's work because "The guy was over the top. The guy was absolutely over the top. Big Jim didn't know the meaning of the word stop. There are three brave lets inherent in the forgoing: he let himself see everything, he let himself write it down, then he let himself publish it."
Thompson admired Fyodor Dostoevsky and was nicknamed "Dimestore Dostoevsky" by writer Geoffrey O'Brien. Film director Stephen Frears, who directed an adaptation of Thompson's The Grifters as 1990's The Grifters, also identified elements of Greek tragedy in his themes.
James Myers Thompson was a United States writer of novels, short stories and screenplays, largely in the hardboiled style of crime fiction.
Thompson wrote more than thirty novels, the majority of which were original paperback publications by pulp fiction houses, from the late-1940s through mid-1950s. Despite some positive critical notice, notably by Anthony Boucher in the New York Times, he was little-recognized in his lifetime. Only after death did Thompson's literary stature grow, when in the late 1980s, several novels were re-published in the Black Lizard series of re-discovered crime fiction.
Thompson's writing culminated in a few of his best-regarded works: The Killer Inside Me, Savage Night, A Hell of a Woman and Pop. 1280. In these works, Thompson turned the derided pulp genre into literature and art, featuring unreliable narrators, odd structure, and surrealism.
The writer R.V. Cassills has suggested that of all pulp fiction, Thompson's was the rawest and most harrowing; that neither Dashiell Hammett nor Raymond Chandler nor even Horace McCoy, author of the bleak They Shoot Horses, Don't They?, ever "wrote a book within miles of Thompson". Similarly, in the introduction to Now and on Earth, Stephen King says he most admires Thompson's work because "The guy was over the top. The guy was absolutely over the top. Big Jim didn't know the meaning of the word stop. There are three brave lets inherent in the forgoing: he let himself see everything, he let himself write it down, then he let himself publish it."
Thompson admired Fyodor Dostoevsky and was nicknamed "Dimestore Dostoevsky" by writer Geoffrey O'Brien. Film director Stephen Frears, who directed an adaptation of Thompson's The Grifters as 1990's The Grifters, also identified elements of Greek tragedy in his themes.
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May 4, 2024
Before the massive movie merchandising campaigns that started taking place in the 70s (blame Star Wars?), TV and movie studios were looking for additional revenue streams. One way was the publishing of novelizations or tie-ins. Thompson was hired to write a novelization of The Undefeated, a 1969 western starring John Wayne and Rock Hudson. I've never seen the film, but I assume authors were given a copies of scripts to adapt into books.
In the post-Civil War south, the Union and Confederate soldiers are now left adrift. Knowing nothing but warfare, two once-opposing parties are now struggling in a strange new world, and their paths cross as they try to navigate within it.
In the post-Civil War south, the Union and Confederate soldiers are now left adrift. Knowing nothing but warfare, two once-opposing parties are now struggling in a strange new world, and their paths cross as they try to navigate within it.
Displaying 1 of 1 review