If there was one creature the people of the island hated it was the fox. Foxes were not only destructive, they were evil; they brought bad luck; some people even said they could change themselves into human beings. Patsy and his friends felt the same until the day they dragged two exhausted animals from the sea and then realized that they were foxes - strange grey creatures, not the red foxes of the island, but foxes all the same. The animals were silver foxes and they had been on their way to the Zoo at Dublin when a storm blew up and they were lost overboard. Everyone on the island heard this on the radio, but only Patsy, Séamus, Michael and Colm knew that the foxes had reached land. The creatures were an enormous responsibility. They needed food and shelter, and above all they had to be kept hidden - in a community where everyone's affairs were known to everyone else. The boys' struggle to care for their difficult charges makes a most exciting and sympathetic story, with a vividly described and fascinating background of island life.
Eilís Dillon (1920-1994) was born in Galway, in the West of Ireland. Her father, Thomas Dillon, was Professor of Chemistry at University College Galway. Her mother, Geraldine Plunkett, was the sister of the poet Joseph Mary Plunkett, one of the seven signatories of the Proclamation of the Irish Republic, who was executed in Kilmainham Gaol at the end of the 1916 Easter Rising.
Eilís was educated at the Ursuline Convent in Sligo, and was sent to work in the hotel and catering business in Dublin. In 1940, at the age of 20, she married a 37-year-old Corkman. Her husband, Cormac Ó Cuilleanáin, became Professor of Irish at University College Cork. Eilís had always written poetry and stories, and in the intervals of bringing up three children and running a student hostel for the university, she developed her writing into a highly successful professional career. At first she wrote children's books in Irish and English, then started to write novels and detective stories. Over twenty of her books were published by Faber and Faber, winning critical acclaim and a wide readership. Her work was translated into fourteen languages.
In the 1960s, her husband's poor health prompted early retirement and a move to Rome. He died in 1970. Eilís Dillon's large historical novel about the road to Irish independence in the 19th and early 20th centuries, Across the Bitter Sea, was published in 1973 by Hodder & Stoughton in London, and Simon & Schuster in New York. It became an instant bestseller.
In 1974 Eilís married Vivian Mercier, Professor of English in the University of Colorado at Boulder. They moved to California when Vivian was appointed to a chair in the University of California, Santa Barbara. They spent each winter in California until Vivian's retirement in 1987, returning to Ireland for the spring and summer.
Eilís Dillon was active in a number of public and cultural bodies. She served on the Arts Council, the International Commission for English in the Liturgy, the Irish Writers' Union and the Irish Writers' Centre. She was a Fellow of the Royal Society of Literature, and a member of Aosdána, the State academy of writers, artists and composers. She had long argued for the establishment of such a body.
Vivian's death in 1989 was followed by the death in 1990 of Eilís's daughter Máire, who was a violinist with the London Philharmonic Orchestra. Despite these blows, and her own declining health, Eilís kept writing until the last months of her own life. An honorary doctorate was conferred on her by University College Cork in 1992. Her last two published works were Children of Bach (1993), a children's novel set in Hungary at the time of the Holocaust, and her edition of Vivian Mercier's posthumous Modern Irish Literature: Sources and Founders (Oxford, 1994). Her scholarly work on this book meant that her own last novel remained unfinished.
Eilís Dillon died on 19 July 1994. Of her fifty books, ten are now in print and others will shortly be republished. A special prize, the Eilís Dillon Award, is given each year as part of the Bisto Book Awards. She herself had won the main Bisto Book of the Year award in 1989 with The Island of Ghosts.
Another story of Inishauan. Not as full as Island of Horses. A good tale. I like the boy's concern over doing the right thing by their neighbors as well as trying to save the foxes. A wonderful sense of place.