A book on sound design in film, by the dude who did arguably one of the best Sci-fi film ever: John Carpenter's The Thing.
While technically, a book like this is most beneficial for it's general ability at showing what you can accomplish on a meager budget and without simultaneously cutting corners; like any other guide involving technology it can be hard to apply it to modern use since machinery and standards become outdated so quickly.
Sound design aside, the best part of this book is all the shit-talking that author and sound designer David Yewdall wraps in his storied past with Hollywood-type producers (who's identities are thinly veiled and easily revealed with a quick IMDB search!) , attempting to cut his sound budget. What this book taught me: Don't ever fuck with Yewdall's authority on sound. He'll laugh at your shitty movie's final mix, and then write bad things about how cheap you are.