In 'Understanding Animation' Paul Wells tries to apply art theories to the field of animation. The book's raison d'être is to ignite more scientific research on animation film. In that respect this is a rather high brow, difficult to read book, with topics like the definition of realism in animation, narrative strategies in animation film, means to evoke laughter, gender and race issues in animation, and the relation between animation film and its audience.
Wells clearly is a fan of the medium, and the book's highlights are the analyses of a wide range of animation films, from old to new, classic to experimental. One often immediately wants to watch these films. Also entertaining is the last chapter in which Wells analyses his interviews with British film festival visitors about their (often very early) experiences with Disney features.
Unfortunately, Wells occasionally falls into the trap of over-analysis, detecting more symbolism in films than ever intended by their makers, and the book at times suffers from posturing, all too typical for the art theory field. He also makes some historical errors, but these are minor and do not disturb the discourse.
In all, 'Understanding animation' is an interesting stepping stone into the analysis of animation as an art form, and thus an important book, if not for the average animation film fan.