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224 pages, Paperback
First published November 15, 1994
I know that's kinda strange to start a review like that, but it was something I wanted to say that represented how much I enjoyed this novelization. David Bergantino, while I only own this one book, you did a pretty good job with writing Wes Craven's New Nightmare!
As with all other novelizations, you know the gist of the story. During the process of making the next Nightmare on Elm Street, Heather Langenkamp (AKA Nancy) and the other people involved are "attacked" by the Springwood Slasher himself. Or are they?
If you've seen the movie (or know the plot as well as any superfan out there), you know what happens and who Freddy really is. And that's where my slightly major problem comes in.
This novelization is close to the movie. A little too close. While it has been a long time since I've seen New Nightmare, there is nothing new. No surprise scenes from earlier drafts, no scrapped characters (except that Johnny Depp is in the funeral scene, unlike the movie). No new scares.
This book might have been a five-star read had it slightly deviated more from the film, and the book falters off course a bit because of that fact.
However, there's a fix for that.
David Bergantino has written himself into the book. Literally. Throughout, there are journal entries from his perspective, explaining how he's writing this novelization (he calls it this, rather than saying "the book of the movie" or "the novel"). There are also newspaper clippings and letters as well, adding to the whole meta factor of the film. This probably would be a grievance to some (and me, though it's more in the fact it kind of slows the story down. Otherwise, it's all good), but I digress.
David also intrigues the reader, giving thoughts to every character (even Freddy for a brief moment). You understand what Heather thinks of when dealing with her son Dylan. You feel a bit of emotion to some of the others. Like the more well-written novelizations, this makes the story a little more easier to comprehend in terms of character perspectives.
A few other nitpicks of mine are minor. The writing gets a bit too forced or childish, as if this were a junior novel (you know what I mean with how many times the explanation point is used, even if in this book it's not as littered with them). Two of the most well-remembered lines in the film from Freddy are cut out (you also know them if you've seen it). The story ends rather quick and feels as though David rushed through the last scene altogether on a deadline. Freddy's glove is called the Claw (not kidding, this is how it is written in the book) for some reason.
Other than that, David Bergantino's novelization of Wes Craven's New Nightmare is as solid a read as the last novelization I read (read my review of said novelization here), and is probably number 1 in terms of creativity.
To close out this review, here's a pretty neat unrelated quote from the book about physics and time that stuck out for some reason:
Theoretically, there is only one point at which time may be perceived to stop. That is called death. (p 145)