Arguably the most popular crossover between two of the most popular characters of their respective companies: Spider-Man, and Batman, from Marvel and DC Comics, finally together, for the first time in comic book history. From the hands of writer J.M. DeMatteis, and artist Mark Bagley, this epic event was published back in 1995, arguably during one of these heroes most heavily popular periods, considering two strongly successful and iconic events were released some years prior: Batman’s “Knightfall”, and of course, Spidey’s “Maximum Carnage”, and looking at it, this could be seen mostly as an indirect sequel of the latter.
Inside DeMatteis’ plot, these two share the same universe, and New York, as well as Gotham City, are settled on the same reality, similar to the crossovers Batman had with Daredevil just five years after this one. Both heroes are struggling with a haunting thought relating to their respective pasts, and back in New York City, at the Ravencroft Institute, Dr. Ahsley Kafka, the main psychologist, and custodian of the dreadful Cletus Kasady, better known as “Carnage”, asks Spidey for his help, since a representative of a government committee is trying to use a brand new neuro-technological procedure to attempt to cure insanity, and Kasady is her main test subject. After believing the procedure worked, Cassandra Briar, the developer of this method, tries to do the same thing for the Joker, at Gotham City, but things go full disaster mode, and now, Batman, aware of Briar’s terrible mistake, has to find out how to stop this Carnage guy, but with Joker by the new villain’s side, it might take more than only him to stop them, enter the legendary alliance between the Web Slinger, and the Cape Crusader.
This is exactly what it should be, and what it promises; a crossover with tons of cool, stylized action, great chemistry between its two leads, and two antagonists from their respective franchises meant to give our heroes a hard time. As I said, this is almost a spiritual sequel to “Maximum Carnage”, but fair enough, both heroes share a similar amount of screen time, and to have both, Carnage, and the Joker, as the main antagonists was a no-brainer. Although, sure, one might argue that Carnage serves more as the actual main villain, the Joker ultimately remains the last struggle for our heroes. Now, anyone thinking this would be at a higher level of complexity, and top-notch writing, or one of the best comic book titles ever made… I am sorry to disappoint. This is pure, genuine, and unpretentious entertainment. Is Spider-Man meets Batman to fight both, Carnage, and the Joker at Gotham City. That’s it. I went blind with this one, without being sure how this chemistry would develop or work, so I didn’t know who the villains in here would be. Sure, I suspected Joker, I mean, is a more stablished archnemesis for Batman, than, let’s say, Green Goblin, Doctor Octopus, or Venom for Spidey. As a matter of fact, my first suspicion was that the Goblin would be the antagonist from Spider-man’s side, but no, it was Carnage alright.
Now, the real show stealer of this special: the art. My god is Mark Bagley an all-star with his pencils. There has been a lot of talk about the exaggerated trend in the 90s of cartoonish, and ridiculous styles of proportions, and specific fashion requirements. I never minded that, in fact, I felt a tremendous nostalgia for it, and from time to time I find myself craving that way of drawing, so I’m trying to consume as many 90s comics extravaganza as possible. Bagley is some kind of “missing link”, regarding his own style, specially at drawing characters such as Spider-Man. He does dominate this cartoon-like proportions, expressions, and overall physical design, but at the same time, his lines are so neat, smooth, and refined, he somehow cracked the code of how to exploit those trends to his own favor, so much so that he ended up drawing Spidey for his “Ultimate” series for an entire decade almost. But seeing his Batman I came to wonder, why wasn’t he in charge of a whole series of the Dark Knight? I don’t know if it was the fact that he wore the whole black suit with the yellow emblem and belt, but his version of Batman is just as good as his Spidey. Two completely different characters in appearance, and design, yet Bagley makes them fit the frames with a unique mastery, it makes me wonder also why this crossover particularly never continued. Maybe other 3 issues with similar size, hell, maybe an entire 6-issue volume with just Batman alongside Spidey, taking down some of their worst foes. There was a gold mine potential with these two, same creative team of DeMatteis, and Bagley, and there you have it. The more I think about it, the potential inside this idea was never exploited, and that is a shame. I keep thinking that Marvel, back in the 90s, was struggling with the threat of bankruptcy, so why weren’t they ensuring the editorial’s recovery with things like this? Again, I like this crossover, even though it isn’t perfect, and like many others, it feels random and casual, as if these worlds were always in the same universe. Not that I cared about it, but other titles have dug a little on that aspect of their plot. Is just, I wanted more; as self-conclusive as this was, I also wanted a more constant presence from Spidey-related characters, such as MJ, Aunt May, JJ. Jameson, and regarding Batman, I wanted him, interacting with Peter, maybe Dick Grayson appearing and helping, Barbara Gordon, Commissioner Gordon, Harvey Bullock, Selina Kyle… the possibilities are endless for a well-constructed story between two of the most popular heroes in pop culture, and the worst part is that I know DeMatteis is perfectly capable of achieving a worthy story for the two of them. Maybe with Bagley doing all the issues, maybe with different artists contributing, it doesn’t matter, but the opportunity is right here, in this special issue that should not have been a unique one. This is a solidly produced event, but I can’t help but to think that it could’ve been way, way more.