"Life and death can be beautiful, and noble, when you fight for your life, but also when you give it up without compromise. All I have wanted to show our young Cubans is that life is more beautiful when you live that way. It is the only way to live."
What this book is, are a few writings by Haydee Santamaria, one on Moncada, a few letters to her comrades, and one a transcript of a fairly lengthy interview that was done with her about the revolution and her incredible project she headed at the time, Casa de la Americas. The rest of the book is mostly letters about her, to her, at various events, etc. speaking about her in regards to the Casa de la Americas, and on her life after her death.
I really wish this was longer! The more I read about the July 26ers the more I am in awe of their bravery, comradery, and solidarity. Most of all their sense of togetherness, and their boundless vision for a better way of life, and always seeing how delicate, inventive, and loving others are. The bonds that forged their alliance are some of the most compelling I've felt. I really feel like people who live lives unengaged with a movement are missing out on a critical component of what it means to be human. It really does feel like nothing like this sense of community and communal love exists here in the modern day United States. To quote Guevara on this feeling (written to his mother after being jailed in Mexico with some of the Moncada rebels, including Fidel Castro and others), "During this time in prison... I totally identified with my comrades in the struggle. I recall a phrase that I once thought was ridiculous, or at least strange, referring to such a total identification between members of a group of combatants, to the effect that the idea of "I" was completely subsumed in the concept of "we". It was a communist moral principle and naturally might look like doctrinaire exaggeration, but it was (and is) really beautiful to have this sense of "we".
Santamaria was another irreplaceable figure in the revolution. Alongside the other July 26ers, her life, her personality, seems like something out of a mythology. She said in a letter to Che upon hearing of his death, "everything you created was perfect, but you made a unique creation, you made yourself. You demonstrated that the new human being is possible, all of us could see that the new human being is a reality, because he exists, he is you." I'm quite certain all those who contributed in the writing of this would agree she is also part of this new human being.
When she was a child, she was found once laying on a hen's nest, with plenty of peck marks all over her. She said she wanted to create something like the hens did. Later she would invent an imaginary grandfather, who was a famous rebel, which she would go and pray at his grave. Obviously influenced early on by figures like Jose Marti, I believe she always saw herself as part of something bigger, and wanted to give, partially motivated by her sense of connectedness with the world.
She was one of the original Moncada rebels, at which both her brother and fiance were tortured, as well as her. The Batista soldiers brought her the bleeding eye of her brother, and the mangled testicle of her fiance, in an attempt to get her to talk. She endured great pain, showed no fear and revealed no information. This would be an ongoing phenomenon with her, no matter how much danger she was in, was always unflinching. Later she would disseminate copies of History Will Absolve Me. She would eventually become part of the Santiago De Cuba rebellion on Nov.30, buying time and getting attention and resources away from those arriving on the Granma who set up base in the Sierra Maestra. Eventually she would be part of the Mariana Grajales Women’s Platoon in the Sierra Maestra. Between all this, she completed countless supply missions, and helped hide many rebels, delivered many messages to various July 26ers across Cuba (including ones in prison) while being a target of the Batista government. At one point she would go to the United States, and procured funds and supplies to send to the revolution from there, including planes and boats (many of which they were overcharged for and did not make it).
After the revolution, she would start the Casa de la Americas, an art institute designed to host and promote a pan-Latin vision in the style of Bolivar and Marti "from Mexico to Cape Horn" a single united America, "Our America". It became a hub for many exiles across the Americas who were targets of repression in their governments, as well as being a safe place for artists who might want to criticize Castro's own government. It really deserves it's own study, because they did a lot for art and international relations, making many Spanish only texts accessible to other parts of the world and featured many, many influential artists of all types. Like the Mother Hen she wanted to be, she gave birth to generations of artists across the world. She gave more than she would've imagined is my guess. Her passion for art and intercourse with artists, along other rebels, is a reminder that these visions for a better society, these movements, uplifting humanity, these are inseparable values from being an artist. The rebel and the artist are birds of a feather.
I cannot fathom how strong of a person she must be. A lot of this book brought tears to my eyes. It's tragic that she took her own life, granted, for what she has been through, very understandable.
Essential reading for those who want to know the most important figures of the Cuban Revolution.