Let's get a couple things out of the way.
"A Lamplighter in Larkeney" is not devoid of strong elements. I think the introduction to Wendell's family and their dynamic is engaging, his relationships with his father and his brother Tim are emotionally resonant, and I like the way his difficult parental relationship parallels Katie's own relationship with her mother. The world is creative, the big plot twist is strong, the writing is witty and got a few laughs out of me, and Amelie Butkus is a talented illustrator. Despite its lackluster pacing, overly sequel-bait ending, and spelling and grammatical errors that absolutely shouldn't have made it to the final draft, I was initially prepared to rate this 3 stars.
However, all of that aside, this book's writing is undeniably racist.
We meet Melati, the pen-pal girlfriend of Wendell's brother Tim, late into the story. She is a dark-skinned (though not in the book's illustration of her for some reason), Indonesian woman whose first language is not English. She is also the only POC in the entire book. And the first time we meet her in-person, she is the butt of a joke that compares her to a monkey.
Here's the thing. Before Melati actually enters the plot, she is characterized as Tim's affectionate, overly lovey girlfriend; the two seem genuinely in love and invested in one another even through letters, and I thought that dynamic was sweet. But the second we meet her in-person, her characterization is aggressive, inhuman, and brutish; Wendell thinks "this girl looked like she'd put you in a headlock before writing about French kissing." To me, she immediately felt like a caricature of a "weird foreign woman," rather than a genuine person. And this problem only worsens the longer she's on-page.
Commonly "grunting", her cheeks coloring with "terrifying bloodlust" (pg. 334) "hulking like a black omen of doom," (pg. 335) sniffing out people like a bloodhound (pg. 361), described by the antagonists as "like a gorilla," (pg. 352), a "monster" (pg. 390) and "an utter abomination," (pg. 394) with several too many reminders that her English is limited and rudimentary (pgs. 366, 368), Melati is defeminized and dehumanized at every turn by the text. The imagery and language used to describe her is animalistic, like she's a gorilla or a dog rather than a girl. And all of this characterization-- bulk, brutishness, derogatory animal comparisons, seemingly inhuman abilities, intellect and verbal articulation that's inferior to that of the the white characters, only existing to elevate said white characters-- is incredibly common racist rhetoric used against both real and fictional people of color. It was a massive letdown to see this book play into these harmful stereotypes as much as it did. This is a book that has a lot of caricatures and comedic characters, but when the caricature you've created plays so blatantly into racist clichés, and she's the only POC in the entire book, I don't believe that's an excuse you can fall back on. This character truly deserved so much better.
I'm aware that this author wrote this book at seventeen, and had it published at nineteen, and that's a great accomplishment. But she needs to examine her personal biases and think critically before putting a character like this on-page. And though I liked elements of her book, I believe that this one-star rating, and this review, is a truthful expression of my disappointment in this work, and Amelie Butkus's writing, for flagrantly and excessively leaning into ignorant stereotypes. Do better.