The Rivers Are Inside Our Homes handles themes of loss and exile, aging generations, fable and fairy tale, marriage and hurt, with the island of Cuba at its heart. These incandescent poems by Cuban American poet Victoria María Castells explore how we can salvage our notion of paradise in an overspent Eden. In thwarted homes located in Havana and Miami, Rapunzel and her prince, persecuted nymphs, Morgause, and Bluebeard’s wife speak to us directly, all in need of returning to safety. Confronting machismo, illness, heartbreak, and isolation, the poems depict how women are at the mercy of men, either husband or oligarch. Yet all generations of Cubans are bombarded with this need to return or to leave, to have both, to have neither. Meanwhile, hurricane seasons add further instability to shelter and family, growing fiercer every year. Exile and displacement are accepted as permanent conditions. Latin America will mirror Cuba’s violent struggles as conquered land and despotic object. From the colonial desecrations to fraught revolutionary aftermath, the search for home is lyrically charted by this contradictory land of suffering and dreams. Through these poems, dictators, grandmothers, mythical characters, and buccaneers are given voices of equal strength, challenging what constitutes truth under a prism of fantasy and desire.
Told in three parts, this compelling debut from Castells examines Cuba, family, hurricanes, and migration. Bursting with fairy tales and interrogating “paradise,” images and lines continue to haunt me long after reaching the last page. In “Havana Syndrome,” “The sea fills up your stomach / and the rivers drain your heart.” And from “Wishing Game”: “Trees ran and twisted from the earth. Fruit sprung like stars.” When you hopefully revel in this, some standouts I highly recommend include “Rupture, Alternating,” “A Liking, Somewhat,” and “Hot Season.”
Cuban experiences, fairytale voices, and a history teaming with conflicting desires and ideologies come to a head in “The Rivers Are Inside Our Homes”. Castells’ voice demands attention and emotion as she weaves an ever complicated web. I’m eager to read more from her.