Originally published in 1969, this parable of racial intrigue centers on the killing of an unarmed black youth by Sergeant Carrigan, a white policeman. The murder prompts Eugene Browning, second in command at the Institute for Racial Justice, a civil rights organization, to seek revenge by hiring a professional killer to assassinate Carrigan. Browning enlists the help of an aging Mafia don, who passes the hit to a former terrorist from Israel. This single act of retribution sets in motion a crisis of unprecedented proportions as a band of black militants proceed to launch a violent plan of their own. As the dramatic events unfold, Browning struggles to put his troubled personal and professional life back in order.
John Alfred Williams was an African-American author, journalist, and academic. His novel The Man Who Cried I Am was a bestseller in 1967.
His novels are mainly about the black experience in white America. The Man Who Cried I Am, a fictionalized account of the life and death of Richard Wright, introduced the King Alfred Plan, a fictional CIA-led scheme supporting an international effort to eliminate people of African descent. This "plan" has since been cited as fact by some members of the Black community and conspiracy theorists.
In the early 1980s, Williams, and the composer and flautist Leslie Burrs, with the agreement of Mercer Ellington, began collaborating on the completion of Queenie Pie, an opera by Duke Ellington that had been left unfinished at Ellington's death. The project fell through, and the opera was eventually completed by other hands.
In 2003, Williams performed a spoken-word piece on Transform, an album by rock band Powerman 5000. At the time, his son Adam Williams was the band's guitarist.
Librarian note: There is more than one author in the Goodreads database with this name.
He doesn't miss. Another incredible work from the John Williams who should've made it, but never did. If there were ever clearer evidence that the so-called "angry Black man" is not given his fair share of artistic discourse than the reputation of Mr. Williams (apparently non-existent today), I'm not sure what it is. I, at least, will continue to cherish and promote his works until such a time as other people recognize his merits once more.