Das Isenburger Schloss gehort zu den bedeutendsten Bauwerken der Renaissance nordlich der Alpen. Dieser Band prasentiert das Renaissanceschloss in ganzlich neuem Die Ergebnisse der Forschungen vor Ort sowie der grundlichen Quellenstudien - v. a. in den Isenburgischen Archiven von Birstein und Budingen sowie im Offenbacher Stadtarchiv - stellen das Wissen um das Baugeschehen und seine Hintergrunde auf eine neue Grundlage.
Interesting argument about "stylistic hangovers". Great range, a plethora of composers discussed. Some details superseded now, perhaps, in this book originally written in German, in 1949. E.g. On page 93, Blume had attributed and dated the "colossal festal mass for the dedication of the Salzburg cathedral" to Orazio Benevoli (1628), but today, the Missa Salsburgensis (a 53 voci) is now attributed to Heinrich Ignaz Franz von Biber, and dated 1682, likely composed for the 1100th anniversary of the Salzburg Bishopric. (The composer, Biber, does get a mention in Blume's survey, towards the end of the book, on p.151.)
(The W.W. Norton copy I have has an error on the back cover. It mentions a companion volume by the same author but fails to reference the above title correctly.)
The author, Friedrich Blume (5 January 1893, in Schlüchtern, Hesse-Nassau – 22 November 1975, in Schlüchtern), was professor of Musicology in Kiel University from 1938-1958. He taught in Berlin and Leipzig for some years before being called to the chair in Kiel. His early studies were on Lutheran church music, including several books on J.S. Bach, but he broadened his interests considerably later. From 1949 he was involved in the planning and writing, in German, of Die Musik in Geschichte und Gegenwart (MGG; Music in History and the Present), the largest and most comprehensive German music encyclopedia.