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Sun-Ken Rock #25
Sun Ken Rock. Vol. 25
Si conclude la travolgente saga criminale di Ken Kitano! Sbarcato in Corea per amore, Ken finisce per entrare in una gang locale e... ne diventa il boss! Durante la scalata alla gerarchia della criminalità coreana, però, le cose per Ken si fanno sempre più la ragazza dei suoi sogni, infatti, nel frattempo è diventata una poliziotta!
- GenresManga
200 pages, Paperback
Published October 26, 2016
About the author
Boichi
285 books150 followersIntending to be a manga artist from his childhood days, majored in physics in college as preparation to draw science fiction works, and also to learn the technology of performance and imaging, went on to graduate school to major in image technology.
In 1993, while still enrolled, debuted in a Korean shoujo manga magazine. Since then, he gained popularity releasing a number of works and publishing books on how to draw manga targeting a wide range of reader.
In 2004 he stepped into the world of Japanese manga. His “Ultimate Space Emperor Caesar”, serialized in Monthly “Comic Gum”, was his first tankōbon in Japan.
In 2005, 9 out of Boichi’s 11 hentai one-shot serialized in Comic Aun were reunited under the volume titled “Lover in Winter”.
In 2006, he released two science fiction one-shot, “Hotel” and “Present” which, in 2008, were compiled in a volume titled Hotel along the other one-shots “It was all for the tuna”, “Stephanos” and “Diadem”.
2006 is the year of Boichi’s first serialized manga: “Sun Ken Rock” in the bi-weekly magazine Young King. This manga will also have a side-story based on Yumin in 2011 and one based on Pickaxe in 2012. 2012 will also see the serialization of “I want to feed Yumin”, another spin-off of Sun Ken Rock based on Yumin and serialized in “Monthly Young King”.
Boichi also worked on a 5 volume long manga titled Raqiya and written by Masao Yajima where he was in charge of the art and published in 2009. He also only did the art of the Brutality one-shot by Takeda Yuusuke in 2007.
In later 2011, he started the serialization of another manga titled “H.E the hunt for energy” in a new monthly magazine: Jump X. In this year, he won the Gran Guinigi prize for “It was all for the Tuna”.
To express his sentiment towards Vietnam and apologize for Korea’s action during the war, Sun Ken Rock volume 2′s royalties were donated to the humanitarian organization “Child of Viet Nam”. He asked Korean manga artists to contribute towards drawing a support page for Japan in regards to 2011′s big earthquake, and giving the royalties from the proceeding to the Red Cross. He also donated the money he planned to use to buy a new car towards helping tsunami victims.
In 1993, while still enrolled, debuted in a Korean shoujo manga magazine. Since then, he gained popularity releasing a number of works and publishing books on how to draw manga targeting a wide range of reader.
In 2004 he stepped into the world of Japanese manga. His “Ultimate Space Emperor Caesar”, serialized in Monthly “Comic Gum”, was his first tankōbon in Japan.
In 2005, 9 out of Boichi’s 11 hentai one-shot serialized in Comic Aun were reunited under the volume titled “Lover in Winter”.
In 2006, he released two science fiction one-shot, “Hotel” and “Present” which, in 2008, were compiled in a volume titled Hotel along the other one-shots “It was all for the tuna”, “Stephanos” and “Diadem”.
2006 is the year of Boichi’s first serialized manga: “Sun Ken Rock” in the bi-weekly magazine Young King. This manga will also have a side-story based on Yumin in 2011 and one based on Pickaxe in 2012. 2012 will also see the serialization of “I want to feed Yumin”, another spin-off of Sun Ken Rock based on Yumin and serialized in “Monthly Young King”.
Boichi also worked on a 5 volume long manga titled Raqiya and written by Masao Yajima where he was in charge of the art and published in 2009. He also only did the art of the Brutality one-shot by Takeda Yuusuke in 2007.
In later 2011, he started the serialization of another manga titled “H.E the hunt for energy” in a new monthly magazine: Jump X. In this year, he won the Gran Guinigi prize for “It was all for the Tuna”.
To express his sentiment towards Vietnam and apologize for Korea’s action during the war, Sun Ken Rock volume 2′s royalties were donated to the humanitarian organization “Child of Viet Nam”. He asked Korean manga artists to contribute towards drawing a support page for Japan in regards to 2011′s big earthquake, and giving the royalties from the proceeding to the Red Cross. He also donated the money he planned to use to buy a new car towards helping tsunami victims.
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Displaying 1 - 5 of 5 reviews
May 10, 2026
El final parece muy apresurado y con un sabor agridulce, pero una vez que comprendes el contexto y las situaciones de la vida real que tomó en cuenta el autor te das cuenta de que es un final aceptable.
De igual manera es una obra llena de testosterona con un arte incomparable y que genera una motivación en el lector para alcanzar sus metas, ser una mejor persona, ser mas empático, luchar por la justicia, las personas que amas y lo que quieres lograr en esta vida.
Me quedo con la frase:
"En esta vida lo único que realmente es nuestro, es el cuerpo que trabajamos dia a dia" -Ken
De igual manera es una obra llena de testosterona con un arte incomparable y que genera una motivación en el lector para alcanzar sus metas, ser una mejor persona, ser mas empático, luchar por la justicia, las personas que amas y lo que quieres lograr en esta vida.
Me quedo con la frase:
"En esta vida lo único que realmente es nuestro, es el cuerpo que trabajamos dia a dia" -Ken
March 5, 2026
Ken seems to not understand what he believes in. He believes in protecting good and killing evil yet allows himself to ally with people who have killed "good" people. also, the ending is terrible and goes against his "idea" of protecting people and should've killed yumin
This entire review has been hidden because of spoilers.
November 10, 2018
As most manga has a ton of fan service, but it does not get in the way of the story, it's funny, action scenes are great, and the overall history good.
April 28, 2025
Review para la obra completa.
Su punto más fuerte es su increíble arte, la historia es buena sin resaltar.
Su punto más fuerte es su increíble arte, la historia es buena sin resaltar.
February 17, 2019
Worthless pathetic piece of fiction. Never have I wasted my time in such way before. Clearly the budget was short by the end and author had to rush towards end. Hence all the build up went to ashtray. And of course this should have ended long long ago. This volume would probably remain to be the worst book I have read this year.
Displaying 1 - 5 of 5 reviews