After a thorough survey of the fundamentals of Greek palaeograpy, the author discusses many of the distinctive features of biblical manuscripts, such as musical neumes, lectionaries, glosses, commentaries and illuminations.
Bruce Manning Metzger (February 9, 1914 – February 13, 2007) was an American biblical scholar and textual critic who was a longtime professor at Princeton Theological Seminary and Bible editor who served on the board of the American Bible Society and United Bible Societies. He was a scholar of Greek, New Testament, and New Testament textual criticism, and wrote prolifically on these subjects. Metzger is widely considered one of the most influential New Testament scholars of the 20th century.[1][2]
This is a enlightening overview of how the Bible has come down to us written by noted New Testament scholar Bruce Metzger. It is, however, a work whose information goes beyond the New Testament, and the subtitle might as well be interchanged with the title, as with this work one can understand how many secular works in Greek were preserved to the modern day.
Metzger begins with a presentation of the Greek alphabet and its various styles. He gives a necessary explanation of Greek sounds, as a few later manuscript writers erroneously wrote some words based on their modern pronunciation instead of their ancient spelling. The idiosyncracies of the manuscript tradition, with its abundance of abbreviations, artistic colouring, glosses, and punctuation are spelled out in depth. I found Metzger's book most useful as I finally learned how publishers of the New Testament came to agreement on the division into chapters and verses. Of course, nearly all of this information is useful not only for people interested in the New Testament, but also for those who wonder how monks preserved other Greek-language works like, say, the plays of Aristophanes or the dialogues of Plato.
The core of Metzger's work is only 48 of the book's 140 pages. The remainder is a series of useful appendecies concerning dating of manuscripts, how to collate a manuscript, and various statistics. However, most entertaining is a series of 45 plates of manuscript pages with detailed analysis. The utter variety of version gives the reader an appreciation of scholars like Nestle and Aland who strived to create the best standard text.
I wasn't too happy with the book's folio format which, though it allows some of the plates to be reproduced closer to their original size, makes the book unwieldy and inconsistent with most of OUP's output. Nonetheless, Manuscripts of the Greek Bible is quite a enjoyable introduction to the work of paleographym, and I'd recommend it to anyone interested in New Testament textual issues as well as budding classicists.
Although I have yet to read this entire book, I have read about 30 pages of it and hope to read more. I have always been fascinated by languages as well as the history of bible manuscripts. This book satisfies both curiosities. This book explains such things as how bible scholars can use handwriting and grammar in a (Greek)manuscript to obtain clues as to how old the manuscript is. There is also a chapter on the various materials used for the writing surface (the "paper")of the manuscript. Metzger does include some terms that might be considered techie but I learned quickly enough that these terms are standard to those who are involved in this line of work.