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A String of Chances

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During the summer she spends with a married cousin, the sixteen-year-old daughter of a small town preacher not only discovers secrets which divide her family, but experiences, for the first time, uncertainties about her life.

244 pages, Paperback

First published July 1, 1982

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About the author

Phyllis Reynolds Naylor

201 books1,038 followers
Phyllis Reynolds Naylor was born in Anderson, Indiana, US on January 4, 1933.

Her family were strongly religious with conservative, midwestern values and most of her childhood was spent moving a lot due to her father's occupation as a salesman.

Though she grew up during the Depression and her family did not have a lot of money, Naylor stated that she never felt poor because her family owned good books. Her parents enjoyed reading stories to the children--her father would imitate the characters in Huckleberry Finn and Tom Sawyer--and her mother read to them every evening, "almost until we were old enough to go out on dates, though we never would have admitted this to anyone."

By the time Phyllis reached fifth grade, writing books was her favorite hobby and she would rush home from school each day to write down whatever plot had been forming in her head - at sixteen her first story was published in a local church magazine.

Phyllis has written over 80 books for children and young people. One of these books, "Shiloh," was awarded the Newbery Medal in 1992, was named a Notable Children's Book by the American Library Association and was also Young Adult Choice by the International Reading Association.

Naylor gets her ideas from things that happen to her or from things she has read. "Shiloh" was inspired by a little abused dog she and her husband found. The little dog haunted her so much that she had to write a story about him to get it out of her mind.

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Displaying 1 - 2 of 2 reviews
782 reviews5 followers
August 17, 2017
I'm not familiar with Naylor's work, so had no expectations, other than liking the sound of the blurb, which paints it as a simple growing up/teenage love/finding your own way in life story, with a fair bit of Christian faith thrown in. The structure of the blurb worried me a little - a tad Virginia Andrews - and the first half of the book had me presuming that it was just a re-working of that standard of Regency romance plots: find the two people who fight all the time, and they will end up together at the end. So the *actual* story kind of snuck up on me.

When it comes right down to it, this is a book about how a family and a community cope with a single, small disaster - that of the cot-death of an 8 week old baby. We see the events through the eyes of Evie, the 16 year old second child of the local minister and the local midwife, who goes to spend the summer with her cousin, who is expecting a baby a few weeks after she arrives. The cousin doesn't live far away, but there has been some event that has meant that she and her husband don't come to visit anymore, a story that gets gently explored through the story (see, Virginia Andrews worry).

So, Evie has been learning about love, and betrayal of friends, and all those kinds of normal teenage angst things, up to that point. Plus, she has been learning about babies, and coming to love her cousin's child. When the child dies, it causes a reasonably cliched ripple of events through the community, including causing Evie to doubt her thus far unquestioning faith.

Not only do I think that this is an amazing book with respect to the issues already mentioned, but it is an amazingly good book about faith, and religion, and the differences between the two. It is good to read a book that treats any religion with respect and understanding, as well as not being overbearing or preachy, and this one really manages that fine line. It doesn't change my beliefs, but it did give me the feeling that I have more understanding of aspects of the Christian religion, which was pretty amazing, given that it is a fairly minor part of the story.

As to plot, characterisation, world-building? Good pacing on the plot, especially on the twists, fabulous characterisation - without the caricature that sometimes happens with teenager protagonists, and I have no fault with the world-building. And the 'show don't tell' about everything was fabulous. Oh, and dialogue that *never* made me want to scream.
Displaying 1 - 2 of 2 reviews

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