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20 YEARS OF VERSACE BY AVEDON : THE NAKE /ANGLAIS
When Gianni Versace was shot dead outside his Miami villa on July 15, 1997, few believed that his fashion empire would survive. The chutzpah and flamboyance of Versace the fashion house seemed inseparable from Versace the man. And yet, a year later, Versace remained buoyant, its reputation and market position if anything enhanced by its creator's tragic fate. This book goes some way toward explaining why. From his first 1980 collection, Versace cannily engaged a great photographer, Richard Avedon, who stylishly wedded his designs to a potent blend of celebrity, beauty, flesh, sex, and humor, which became instantly identifiable as Versace--poised, pansexual, tongue firmly in sculptured cheek. Whether in trademarked group shots of intricately entangled supermodels, Stallone nude and stone-faced, Elton gleeful in drag, or Bon Jovi proudly strutting his buff bod, Avedon equals Versace--to the extent that he can show Kate Moss, without a stitch of Versace (or anything else), and we know that she is thinking Versace. This gorgeous volume collects more than 170 photographs, and gives us, as it justly "A glimpse of the impassioned shameful opulent titillating sewmanship of that daredevil magician of art and artifice who was and will always be Gianni Versace." --Alan Stewart
Paperback
First published April 8, 1998
About the author
Richard Avedon
153 books46 followersPeople note fashion photography and stark portraits of Richard Avedon, an American.
Richard Avedon captured ideals of celebrity and beauty in the 20th and early 21st centuries to helped to establish a contemporary art form. Avedon developed a distinct, iconic style. While his contemporaries focused on single moments or composed formal images, his lighting and minimalist white backdrops drew the viewer to the intimate, emotive power of the expression of the subject.
Richard Avedon studied philosophy at Columbia University, New York, and served in the department of the merchant marines of the United States before studying with Alexey Brodovitch at the New School for Social Research.
From 1945, he worked and revolutionized the craft even as he honed his aesthetic to 1965. He worked in magazines from Harper's Bazaar and Vogue to Life and Look. Later, he moved into journalism and the art world. His subjects included pop stars, models, musicians, writers, artists, workers, political activists, soldiers, victims of Vietnam War, politicians, and his family.
Curator Paul Roth observes: “In an Avedon portrait, the face maps an intersection: It is a place where the world outside the photograph meets the world inside the mind.”
The Metropolitan Museum of Art in New York presented solo exhibitions in 1978 and 2002. The Whitney Museum of Art in New York in 1994 mounted major retrospective. The Louisiana Museum of Modern Art, Humblebaek, Denmark, mounted his works in 2007, and the exhibit traveled to Milan, Paris, Berlin, Amsterdam, and San Francisco through 2009.
Richard Avedon captured ideals of celebrity and beauty in the 20th and early 21st centuries to helped to establish a contemporary art form. Avedon developed a distinct, iconic style. While his contemporaries focused on single moments or composed formal images, his lighting and minimalist white backdrops drew the viewer to the intimate, emotive power of the expression of the subject.
Richard Avedon studied philosophy at Columbia University, New York, and served in the department of the merchant marines of the United States before studying with Alexey Brodovitch at the New School for Social Research.
From 1945, he worked and revolutionized the craft even as he honed his aesthetic to 1965. He worked in magazines from Harper's Bazaar and Vogue to Life and Look. Later, he moved into journalism and the art world. His subjects included pop stars, models, musicians, writers, artists, workers, political activists, soldiers, victims of Vietnam War, politicians, and his family.
Curator Paul Roth observes: “In an Avedon portrait, the face maps an intersection: It is a place where the world outside the photograph meets the world inside the mind.”
The Metropolitan Museum of Art in New York presented solo exhibitions in 1978 and 2002. The Whitney Museum of Art in New York in 1994 mounted major retrospective. The Louisiana Museum of Modern Art, Humblebaek, Denmark, mounted his works in 2007, and the exhibit traveled to Milan, Paris, Berlin, Amsterdam, and San Francisco through 2009.
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Displaying 1 - 2 of 2 reviews
February 5, 2014
such beautiful super models. took me back to when I could get away with stuff
January 9, 2008
Pretty pictures. Some great shots of his work, and gorgeous naked men.
Displaying 1 - 2 of 2 reviews