Eleven tirelessly inventive stories and a novella; each has a certain flourish, a sense that the author is saying, "watch what I bust loose on ya this time," and it never grows old or seems contrived.
Magic realism in the short story, unless executed at a high level, often seems to be nothing but a gimmick adopted to relieve a writer of the chore of creating interest in a straightforward, realist narrative. It declares the story's originality with a blast of trumpets, shouts, "look at me, I am new." This is, no doubt, why it has become a staple of our little magazines. But there is no such cheap trickery here.
Rooke's stories are above all vocal performances; they're about voice. This is most obvious in the dialect-soaked novella, "Gator Wrestling"; at first, getting past the dialect is challenging, but then you adapt. And it offers up gems like this:
In Prissy's estimation Ganger was a boy of weirdly morbid and demented disposition. He was gravely barbecued in the belfry.
Not only barbecued, but gravely so, and in the belfry no less. Rooke, in this novella, invents his own idiom.
Standout stories in this volume include the hilarious "How to Write a Successful Short Story," in which a novice writer sits down to do just that, "Lamplighter Bridegroom 360," which proceeds not from character-with-problem but from the reader's curiosity as to what the heck is going on, and "The Last Shot," which won the CBC Literary Award.
Highly recommended.