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Lord of Chaos #1
Shadow of the Ghost: Book 1: Lord of Chaos Trilogy
Chaos reigns as warring gods engulf an entire planet in their conflict in Shadow of the Ghost, an epic fantasy that places the fate of creation in the precarious hands of Ky, an unpredictable elven child. Their planet is a place where the inhabitants are suffocated by unbridled power that must be checked. Rachk'sha believes that all creation is his to manipulate as he wishes. With no remorse, he imprisons his brother, an old man, and begins to replace the gods, The Nine and the Council of Darkness, as if it were a game. The planet on the verge of war, Maker decides to send Ky, a "Seed," to set things right. Ky has his work cut out for him. Denied his coming of age and exiled in a cruel world, Ky must first deal with haunting memories and an insatiable need for revenge before he can seek meaningful justice.
- GenresFantasy
432 pages, Paperback
First published September 30, 2008
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Displaying 1 - 4 of 4 reviews
May 4, 2009
Let me start by saying that while I am an avid reader, this is my first official review, so bear with me. Also, it needs to be stated that I do not know Tanner Artesz, and therefore, have no bias. I've learned that on Amazon, some reviews are not trustworthy due to relationships.
That being said, I honestly enjoyed the author's in-depth journey into his fantasy world, written with tribute to powerful Gods and an unlikely, underestimated elven hero. The reader is quickly introduced to many of the players, and requires a great deal of careful attention to follow, especially at first. The storyline is thoroughly considered. I'd imagine that this epic took a considerable amount of thought, effort and time to come to fruition, which is as positive of a remark as can be made. In today's fantasy, too much is rehashed from the popular, cult-driven successes. The author's uniqueness here can not be denied.
The author lets you get close to many characters, while leaving others to a bit of intriguing mystery. While this can be construed as a negative, in many ways, it is actually a bonus, as it allows the reader's imagination to come into play.
I particularly liked the brutal honesty in the narrative at times. While some authors try to describe horrific accounts to shock a reader into submission, Artesz simply tells it like it is, with a proper amount of necessary graphicness. "Inside, a horse lay in nine parts. Its jagged, bloodied bones protruded from its ripped flesh. They turned the corner at the end of the fence and found the first of the elven victims. Three dismembered bodies lay scattered in front of the stables..."
Criticisms? The first thing that comes to mind has nothing to do with the story. While I appreciate seeing the main character on the cover, I don't feel as though the cover captures the intensity of the story. The other POTENTIAL criticism is the complexity of the story, and while it wasn't a distraction for me, it could turn some light-readers off. On the other hand, it could be considered a worthy challenge.
Overall, I give Tanner Artesz a high mark for his creation. It is without a doubt carefully spawned, leaving recklessness to where it belongs, outside of quality fantasy.
Incidentally, the author's website is outstanding. It offers simple, quick-hitting explanations of Artesz's world, as well as other bonuses.
~ Brian L. Stowe, Author of Cross-Winds (2008) & Wounds and Scars (2009).
That being said, I honestly enjoyed the author's in-depth journey into his fantasy world, written with tribute to powerful Gods and an unlikely, underestimated elven hero. The reader is quickly introduced to many of the players, and requires a great deal of careful attention to follow, especially at first. The storyline is thoroughly considered. I'd imagine that this epic took a considerable amount of thought, effort and time to come to fruition, which is as positive of a remark as can be made. In today's fantasy, too much is rehashed from the popular, cult-driven successes. The author's uniqueness here can not be denied.
The author lets you get close to many characters, while leaving others to a bit of intriguing mystery. While this can be construed as a negative, in many ways, it is actually a bonus, as it allows the reader's imagination to come into play.
I particularly liked the brutal honesty in the narrative at times. While some authors try to describe horrific accounts to shock a reader into submission, Artesz simply tells it like it is, with a proper amount of necessary graphicness. "Inside, a horse lay in nine parts. Its jagged, bloodied bones protruded from its ripped flesh. They turned the corner at the end of the fence and found the first of the elven victims. Three dismembered bodies lay scattered in front of the stables..."
Criticisms? The first thing that comes to mind has nothing to do with the story. While I appreciate seeing the main character on the cover, I don't feel as though the cover captures the intensity of the story. The other POTENTIAL criticism is the complexity of the story, and while it wasn't a distraction for me, it could turn some light-readers off. On the other hand, it could be considered a worthy challenge.
Overall, I give Tanner Artesz a high mark for his creation. It is without a doubt carefully spawned, leaving recklessness to where it belongs, outside of quality fantasy.
Incidentally, the author's website is outstanding. It offers simple, quick-hitting explanations of Artesz's world, as well as other bonuses.
~ Brian L. Stowe, Author of Cross-Winds (2008) & Wounds and Scars (2009).
March 26, 2011
Admittedly, I had some trouble getting into Shadow of the Ghost, which goes out of my usual reading with leaps and bounds. For this reason I was unable to give four stars. I subtracted half.
In the beginning, for me, there was a certain sense of displacement--in particular the preface--that left me somewhat confused. I could have done with a bit more explanation and narrative, since it would have helped me get into the story better.
Writing style:
First of all, I get what the author is trying to achieve, but I think that for lazy readers such as myself--who like to have everything, motivation, action and deed fully described, rather than only the technical and physical description--Shadow of the Ghost requires a bit of a mind shift to fully enjoy this creative fantasy story. The rather intense cadence followed a straight line that rarely diverted. It comes down to the fact that I would have liked to see the author take a bit of risk in his sentence structures, rather than go for the steady and consistent.
The thing I missed while traveling through Artesz’ world, was the “why” rather than the “how”, since his descriptive prose focused primarily on actual actions, instead of motivation, which allowed me less of a connection with the protagonists.
I do have to warn that I am definitely a character-based reader. To me a plot is secondary to my connection with characters.
Plot:
Artesz created a multiple layered plot that was, for me, difficult to keep track of at times. All the elements were there, keeping me on my toes throughout. This novel is definitely a prelude to more to follow since few (if any) of the multiple questions I had get resolved in part one.
I love the idea of all-powerful Gods, especially if they are suffering from a slight handicap, which is, in this case, missing memories. Even after finishing the story, I am still a bit in the dark about what the author tried to convey with this part (I am hoping it will resolved later on in the series) but it is a unique feature of the story from my point of view.
Together “the Nine” Gods battle against their ancient enemy, while we (the readers) are going back and forth between what can only be two different dimensions, (or three, if you include the world of Chaos). The world as we know it--or a version thereof--and a fantasy world of elves, goblins, orcs and wizards. While the Nine face their woes and wage war, an “Old Man” resides in Austria in the late eighties and early nineties. For some reason the contrast made me smile and brought that “little extra” any book needs.
Characters:
Though there are a vast amount of characters to keep track of throughout the story, Delmaria, to me, was most likable. She had a cozy and caring way about her, and Artesz certainly managed to make her a prominent figure within his tale.
Archos, a wizard of old in my estimation, is the wise one and a solid protagonist. A man who lives and breathes the cause, so to speak. Dedicated and strong, he is a good basis for a story to evolve around.
All in all there was an interesting mêlée that gave diversity to the tale when necessary. Personally I would have benefited from a more detailed description of their appearance. I like to be able to form an image of the characters I read about, and yet, for instance, it took me more than a page to discover that Archos had a beard. It was almost as if it were mentioned as an afterthought, but by then it no longer fit with the image this character had become in my head.
Most of the other characters were either transient or sporadic, leaving us with Ky, the lead.
Due to what appeared to be mostly only description of deeds, the main protagonist failed to fully engulf me in his heavy burdens—e.g. it is explained that he is frightened but not the how, or the why, which I regretted a bit.
It left me with some trouble to commiserate with elf Ky as he struggled with the toils of his Godly life (of which there were many) and tried to find his way through the maze of his missing memories.
In due time, however, vengeful Ky did grow on me and he was a wonderfully powerful god beyond compare.
The Villain:
Rachk-Sha, puts in an only sporadic appearance, but was properly evil and with a wonderfully archaic choice of words that, in my mind, would fit a Shakespearian actor. Personally I prefer a clear-cut enemy, but Artesz left me guessing a long time if this villain was the only one I had to worry about.
On the most part Rachk-Sha was described as a feline creature, and this left me with some trouble in creating a clear image of him. Like I said, I’m a lazy reader.
Violence:
There was quite a bit of it, described in short and concise detail that went to the point of extreme bluntness. Personally, I would have liked to see more of the effect it had on the characters, the emotional burden it laid on them, if you will.
On the most part the sharply descriptive events left me a little desensitized to the horror of said occurrences, much to my regret.
Other than that, if effectively showed the might of the main character, his peers and enemy in a very satisfactory fashion.
Conclusion:
As you read this story, you will discover that Artesz has a wealth of creativity just bursting to get out. This is, of course, one of the most important aspects of fantasy, and in world creation his imagination goes to great heights that should fascinate the die-hard fantasy readers. He has a good eye for detail, and to get his image across, he goes into specific detail until there is little left to guess about.
Though regretfully not “my cup of tea”, Tanner Artesz and his Shadow of the Ghost offered me a fascinating story into a world that was, as of recently, unknown to me.
I will gladly recommend this book to those who love to submerge themselves into a fantasy world with definite possibilities for a follow up.
In the beginning, for me, there was a certain sense of displacement--in particular the preface--that left me somewhat confused. I could have done with a bit more explanation and narrative, since it would have helped me get into the story better.
Writing style:
First of all, I get what the author is trying to achieve, but I think that for lazy readers such as myself--who like to have everything, motivation, action and deed fully described, rather than only the technical and physical description--Shadow of the Ghost requires a bit of a mind shift to fully enjoy this creative fantasy story. The rather intense cadence followed a straight line that rarely diverted. It comes down to the fact that I would have liked to see the author take a bit of risk in his sentence structures, rather than go for the steady and consistent.
The thing I missed while traveling through Artesz’ world, was the “why” rather than the “how”, since his descriptive prose focused primarily on actual actions, instead of motivation, which allowed me less of a connection with the protagonists.
I do have to warn that I am definitely a character-based reader. To me a plot is secondary to my connection with characters.
Plot:
Artesz created a multiple layered plot that was, for me, difficult to keep track of at times. All the elements were there, keeping me on my toes throughout. This novel is definitely a prelude to more to follow since few (if any) of the multiple questions I had get resolved in part one.
I love the idea of all-powerful Gods, especially if they are suffering from a slight handicap, which is, in this case, missing memories. Even after finishing the story, I am still a bit in the dark about what the author tried to convey with this part (I am hoping it will resolved later on in the series) but it is a unique feature of the story from my point of view.
Together “the Nine” Gods battle against their ancient enemy, while we (the readers) are going back and forth between what can only be two different dimensions, (or three, if you include the world of Chaos). The world as we know it--or a version thereof--and a fantasy world of elves, goblins, orcs and wizards. While the Nine face their woes and wage war, an “Old Man” resides in Austria in the late eighties and early nineties. For some reason the contrast made me smile and brought that “little extra” any book needs.
Characters:
Though there are a vast amount of characters to keep track of throughout the story, Delmaria, to me, was most likable. She had a cozy and caring way about her, and Artesz certainly managed to make her a prominent figure within his tale.
Archos, a wizard of old in my estimation, is the wise one and a solid protagonist. A man who lives and breathes the cause, so to speak. Dedicated and strong, he is a good basis for a story to evolve around.
All in all there was an interesting mêlée that gave diversity to the tale when necessary. Personally I would have benefited from a more detailed description of their appearance. I like to be able to form an image of the characters I read about, and yet, for instance, it took me more than a page to discover that Archos had a beard. It was almost as if it were mentioned as an afterthought, but by then it no longer fit with the image this character had become in my head.
Most of the other characters were either transient or sporadic, leaving us with Ky, the lead.
Due to what appeared to be mostly only description of deeds, the main protagonist failed to fully engulf me in his heavy burdens—e.g. it is explained that he is frightened but not the how, or the why, which I regretted a bit.
It left me with some trouble to commiserate with elf Ky as he struggled with the toils of his Godly life (of which there were many) and tried to find his way through the maze of his missing memories.
In due time, however, vengeful Ky did grow on me and he was a wonderfully powerful god beyond compare.
The Villain:
Rachk-Sha, puts in an only sporadic appearance, but was properly evil and with a wonderfully archaic choice of words that, in my mind, would fit a Shakespearian actor. Personally I prefer a clear-cut enemy, but Artesz left me guessing a long time if this villain was the only one I had to worry about.
On the most part Rachk-Sha was described as a feline creature, and this left me with some trouble in creating a clear image of him. Like I said, I’m a lazy reader.
Violence:
There was quite a bit of it, described in short and concise detail that went to the point of extreme bluntness. Personally, I would have liked to see more of the effect it had on the characters, the emotional burden it laid on them, if you will.
On the most part the sharply descriptive events left me a little desensitized to the horror of said occurrences, much to my regret.
Other than that, if effectively showed the might of the main character, his peers and enemy in a very satisfactory fashion.
Conclusion:
As you read this story, you will discover that Artesz has a wealth of creativity just bursting to get out. This is, of course, one of the most important aspects of fantasy, and in world creation his imagination goes to great heights that should fascinate the die-hard fantasy readers. He has a good eye for detail, and to get his image across, he goes into specific detail until there is little left to guess about.
Though regretfully not “my cup of tea”, Tanner Artesz and his Shadow of the Ghost offered me a fascinating story into a world that was, as of recently, unknown to me.
I will gladly recommend this book to those who love to submerge themselves into a fantasy world with definite possibilities for a follow up.
April 1, 2023
This was a good book but I found it difficult to read at first. This may be due to the fact that I received a limited edition where the chapters were ill-defined. I also had difficulty at times knowing which character was being addressed as there were 3 different characters named "Ky"--although the author did try to separate them with one being just "Ky", one as "Ky II" and one as "Little Ky". The narrative became less confusing as the book progressed so I was glad I stayed with it until the end. I don't think I will read the last two books but I may change my mind later.
November 9, 2011
I've just finished reading this for the second time (needed a refresher before continuing the trilogy) and I still love it. It's complex and fascinating and beautiful and horrific all at once. I like my fantasy that way. If you agree, then definitely give this a try.
Displaying 1 - 4 of 4 reviews