I indulged in a physical copy of this one, and it's cute enough an object to make me happy I did.
I never understood why cosy murder mysteries were even a thing, but---give me cosy fantasy and the rationale is obvious, with antecedents bone-deep in my reading history.
Cosy here doesn't mean insubstantial. The editor is strong on story values. Two were my personal favourites:
Adam McPhee is writing fantasy based on Ariosto's Orlando Furioso, the wonderfully fantastic 16th-century post-medieval romance/epic. A short story from that project was enough to sign me up for this issue. It turned out to be somewhat meta--I delight in meta--in that characters consult the Furioso for advice, it being 'the founding text of the empire'. The story concerns the origins of the hippogriffs we see knights ride in the original, and is about how a boy earns a hippogriff of his own. There definitely needs to be more Furioso fantasy in the world.
I'd also mention the last story by Jonathan Olfert, who writes stone age fantasy. Perhaps his others as well have these Blue Ochre People (mammoths, who like to ornament themselves), Curling Hands People (octopuses, prehensile crafters), Grey People (seals, who assist others to seafare). Along with humans, all these peoples come to trade at a cove where a translation magic lets them talk to one another. This story left me with that genuine feel-good factor because of its vision of community and cross-species help.