Still reeling from his initial review at TUA, Yatora is at sea trying to figure himself out as an artist. His current assignment takes him back to a favorite subject, but is that a help or a hindrance? Then the story heads to festival town, but at an art school things are on a whole other level.
With two main storylines, this volume is literally split into two and one of them is more successful than the other, though neither are bad. We first rejoin Yatora’s breakdown, already in progress, as he struggles to improve himself.
One thing I do wish this story would acknowledge is that sometimes your professors aren’t just wrong, they’re dicks. Yatora took one particular criticism far too much to heart and it’s been dragging him down ever since.
Mercifully, this is a lot less mopey than the last volume, but this one is all struggle, although the solution that Yatora comes up with is pretty brilliant (and close to my own heart). In fact, in acknowledging that his reach may exceed his grasp, he learns a pretty valuable lesson.
The other storyline is the festival event, which turns out to be a massive month-long project that requires some serious hours. And most of the students, Yatora included, are volunteering as little time as possible.
In a way, this is a scenario that is directly impacted by Yatora’s current issues - he isn’t enjoying his art so he has no desire to spend extra time doing art things with his art friends/colleagues.
Now, if you think you know where this is going, I regret to inform you that you are completely correct across the board, as this does go to the tropes to get its story beats and character moments in. It’s still good, but there are legitimately no surprises.
What makes this such a brilliant bit of business, however, is the focus on Kinemi, who is easily one of the best new characters the series has introduced. I just love her volleyball-loving, super strong/thick design paired with her polite and gentle nature. It’s so good.
Naturally, having somebody with a strong competitive streak who’s also kind of a pushover leads to total chaos and it’s via this mess that Yatora reinserts himself into the narrative.
Frankly, it’s all worth it for the huge Kinemi focus and the late night conversation between her and Yatora. I’m not saying they HAVE to get together, but it wouldn’t be the worst pairing in manga history, that’s for sure.
There are still a couple of things I wish were different here - while it reflects going to university for many, I do wish we hadn’t lost so much of the old cast, who were really fun (Ryuuji, come back!).
It definitely feels like things have gotten a little sillier too, with much broader characters than before. Yatora’s professor, for example, looks like a dwarf rabbit that got tenure. Her design being short is one thing, but she looks young enough to be his little sister. In a way it also reflects a university experience, but still…
After just reading Run On Your New Legs, it’s hard not to notice the underwhelming job this volume does blending information and story. The first section has a huge museum tour section, while the bonus manga features an incredibly dull visit to a canvas factory.
It’s not that these things can’t be interesting, but they spend way too long telling you things than interspersing them with the characters. That bonus manga is particular egregious because it ends with a curry battle that’s a lot of fun and about ten times as engaging.
4 stars - it’s getting back to where it was, but it’s definitely not quite there yet. Blue Period has been an incredible manga at times and this volume gives me hope that it’ll achieve those same heights again in the future. It’s just got a little way to go still.