The Triangle Factory Fire Project, written by Christopher Piehler, in collaboration with Scott Alan Evans, looks at the 1910 industrial disaster of the same name, which took the lives of 146 garment workers in New York City, through an interesting lens. A total of nine actors, playing multiple roles, take us through not only the horrific accident, but also the trial of the factory owners whom the victim’s families and the public wanted to be held accountable.
A strong use of dramaturgy, the play features a constant run of actual headlines from the time, threaded throughout the play, to give the reader/viewer a strong historical context through which to receive the play. The headlines mostly comment on racial issues, worker’s rights, and consumer products (to give us an idea of the economy in 1910).
To create a more personal connection with the audience, the playwright chose however to focus on the story of one victim in particular, Margaret Schwartz—a garment worker and promising voice among the women she worked with. We are drawn into Union meetings in the pre-suffragette era, reminded of how brute force was used to intimidate workers, and we are shown the terrible injustices that women (especially immigrants and unwed women) faced in the workplace. There is one mention, specifically, about the Union fighting for a 52-hour work week, something unimaginable to us today.
The choice to have the story told as it happened, through the voices of the workers who survived was a strong one. My only qualm with this is that the play sometimes read more like an article or story due to the fact that we have actors mostly talking to us instead of with each other. I feel that hurt the play slightly in that I wanted to see scenes from the homes of the survivors and victims alike, see what it did to the interiors of the families involved—rather than only focus on their public delivery of the events. We do, however, get a taste of this at the end of the play when we learn the fate of Margaret’s brother following the trial. Overall, I enjoyed this and would be very interested in seeing it performed.