“‘Who are these Catholics who take the side of the fascists, not the side of the poor?’
‘Welcome to Quebec,’ Lea says.”
An absolute whirlwind of a book, Léa (with the accent-aigu) tells a dramatized version of the early life and heyday of real-life historical figure Léa Roback: an illustrious but overlooked Jewish-Canadian activist who fought for labour rights, women’s suffrage, and class equality, among many other prominent causes during the tumults of the early/mid-twentieth century. The novel recounts Léa’s impoverished, but loving childhood in Montreal and rural Quebec living in a large, working-class Jewish family in the early 1900s. The book then delves into Léa’s travels during her youth to America and pre-war Europe, in which she experienced an unusual sense of freedom and adventure for a young woman of the time, as well as her eventual return to Montreal and rise to power as a fierce, fearless leader in the communist and labour rights movements in Canada. In fiery, short chapters, author and professor Arielle Freedman tells the story of someone who completely defied the odds of her class, gender, and ethnic status in a restrictive society and managed to carve out an extraordinary, impactful life.
I am in awe of this book’s attention to detail. Even though the book was technically a novel and most of the dialogue and internal monologues fictionalized, Freedman wove in real newspaper clippings and constantly paid attention to how characters would react to the political events of the time. Freedman never shied away from the real challenges women, Jews, and working class people faced in Canada during this era…hardly the idealistic land of pluralism and universal healthcare as it is today.
I love how Freedman wove in many other Jewish Canadian or Québécois figures — such as Communist party leader Fred Rose or Quebec Premier Marc Duplessis — into the plot with the same amount of care she put into texturing her protagonist. I was entranced by the chapters set in Berlin and Moscow, where Freedman breathed complexity and vibrancy to even the minor characters in Léa’s travels, and she made each of the cities feel like characters of their own (with Montreal being the obvious protagonist.)
My only complaint? The book was too short! I wanted more of everything: more resolution with Léa’s lovers, her family, and how her activism developed after the war. The book sort of just stops after a major victory in the communist movement. It would have been much more satisfying had the author continued to describe Roback’s later years and how she reacted to the changes of the era, and it would have brought the book together more cohesively than its abrupt ending.
As a Jewish history and Jewish Montreal geek, this book was candy to me. I wish more people took the time to learn about Roback and the other trailblazing activists of this era! Spoiler Alert: there were activists outside of New York too!
Overall: 🐑 🐑 🐑 🐑 🐩 4.5 sheeps
Read If You Liked 📚:Mordecai Richler’s “The Street,” None Are Too Many, Sweatshop Strife, The Woman Behind The New Deal.