Visions of Nature revives the work of late nineteenth-century landscape photographers who shaped the environmental attitudes of settlers in the colonies of the Tasman World and in California. Despite having little association with one another, these photographers developed remarkably similar visions of nature. They rode a wave of interest in wilderness imagery and made pictures that were hung in settler drawing rooms, perused in albums, projected in theaters, and re-created on vacations. In both the American West and the Tasman World, landscape photography fed into settler belonging and produced new ways of thinking about territory and history. During this key period of settler revolution, a generation of photographers came to associate “nature” with remoteness, antiquity, and emptiness, a perspective that disguised the realities of Indigenous presence and reinforced colonial fantasies of environmental abundance. This book lifts the work of these photographers out of their provincial contexts and repositions it within a new comparative frame.
I find rating academic books on GR a little difficult - we judge by such different measures than fiction. But Jarrod Hore's debut is rigorous and deliberate enough to warrant five stars. The book draws together a surprising number of theoretical strands to demonstrate the place of landscape photography in settler colonial cultural and environmental worlds. It does well to balance the specifics of the local and individual photographic frames, with big themes and trends across the late 19th and early 20th centuries. And there are sections within chapters that would make good selections for teachers looking to assign readings on settler coloniality, STS, photography as primary source material, and/or environmental history.