Meditations of pure wonder and love for his family and close friends, frequently coming to domestic epiphanies about choices made long ago / the nature of choice itself, recurrent War motifs, and some fun and fancy little structural devices (eg: the diptych of “The Work of Art” and “In the Age of Mechanical Reproduction,” executing two of the overarching theme threads in a bound unit, that the two poems are separate yet connected a curious volta that laces together POVs that really do start to make unlikely sense athwart one another, a gesture that teaches us how the collection might gel in whole).
However I come away wondering if there’s a long-poem in Callanan. I know the poems are finely tuned, and the book is very economical and lean in a sound and mature way, but I wonder where the line might lead him if he pursued, in D&D parlance, a campaign of thought, instead of a one-shot. May simply lie outside of his interests / the craft he is capable of. Impossible to say.
Much like Andreae’s (Callanan, wife to mark) the debt, or Triny Finlay’s Myself a Paperclip, ROMANTIC is built out in part from an earlier chapbook (our Anstruther books came out the same season actually), “Skylarking,” which is a very strong little book all by its self.
I wonder if there wasn’t an opportunity to develop more original work for this title (like I said, a long-poem, particularly given his felicity with and love of heraldry, the romantics, and poetry of the Great War, all of which are full of such efforts).
Anyhow, immensely enjoyable, even though it’s so far out of my usual lane. I really should go read Gift Horse sooner than later.