In her foreword to this debut short story collection, Ramona Depares lays out clearly her influences and processes behind these nine stories, which is a love for alternative realities mixed with the grotesqueness of Roald Dahl and the surrealism of Neil Gaiman and flawed characters. Thankfully this is exactly what we readers get.
Within The Patient in Hospital Zero there are stories about a woman who falls upon good luck every time a certain person crashes into her car, a girl who has a strange talent with music, a flipped vision of COVID-19 Malta and a person who hears voices from an odd source. Elsewhere there are robots, nightmares and … rooms with flowers (don’t ask, you’ll find out when you read the story)
There’s a lot of good stuff here ; The stories are well constructed , the characters are good and the twists are the kind that make one reflect. I also did like the world building on the more dystopic leaning pieces. As someone who has a hard time with short stories, I was pleased to like all of them, something that , for me, is rare. Having been brought up on Roald Dahl, I do appreciate stories with unconventional endings or strange set ups, Ramona Depares’ does manage this.
I do have a major complaint though and it lies within the writing. Way too many cliched expressions litter the text and it did ruin my enjoyment of the actual stories. In fact I did wish that the writing style was more in the vein of the foreword as I did feel that was Ramona Depares’ actual voice. To use a cliche – it’s a bugbear.
As a debut work of fiction, though this is solid and Ramona Depares’ imagination can break boundaries. I’ll be eagerly waiting for what will be forthcoming.