Frank W. Butterfield, not an assumed name, loves old movies, wise-cracking smart guys with hearts of gold, and writing for fun.
Although he worships San Francisco, he lives at the beach on another coast.
Born on a windy day in November of 1966, he was elected President of his high school Spanish Club in the spring of 1983.
After moving across these United States like a rapid-fire pinball, he currently makes his home in a hurricane-proof apartment with superior water pressure that was built in 1926.
While he hasn't met any dolphins personally, that invitation is always open.
I have been waiting for this book--and I loved reading it. Tom and Ronnie's adventures, Daytona Beach, are one of my favorite series of this author. I also liked that it was long enough to do justice to the story and to the trial contained in the book. Again, as I say everytime--I can not wait till the next book!
It may have been a long time gestating but well worth the wait! A murder after the Daytona Beach weekend racing and the arresting deputy has the wrong man... We get to see Ronnie investigating, Tom in court - and Howie finding love. The story is a little more convoluted, of course - but another triumph: a definite page-turner, even when I was trying to slow down and savour the period 'feel'. The author takes pride in his historical research which gives added authenticity.
Of course those who know the books will not need encouragement - but if you are new to this author you might consider finding the earlier books in the series and read them first.
The Biker who Got Bumped Off (Daytona Beach 5) By Frank Butterfield Published by the author, 2021 Five stars
This is an epic addition to the Daytona Beach series. Tom Jarrell and Ronnie Grisham have moved—into a new (bigger) house and new (bigger) offices. Their supporting crew—Claud Wallace, Marveen Gordon, Minnie Otey, Alice, and Howie Kirkpatrick—are all there. It is more ad hoc and small-town than the WilliamsJones crew in San Francisco, but that gives these books an emotional link to the Nick and Carter mythology, while keeping the reader firmly rooted in the Jim Crow south of the late 1940s in Florida. The fact that Alice and her girlfriend Betsy never are assigned surnames suggests an uncomfortable reality in that place and time, in spite of Alice’s warm relationship with Ronnie and Tom. Interestingly, the attention paid to the use of Joe Reynold’s full name (he is a cook at the Red Pig) is likely tied to both his role in the plot, but also his special kinship to Tom and Ronnie through his sexuality.
A tenuous, but vivid, link to San Francisco is provided by the presence of two “biker gangs,” who are really a bunch of young soldiers from World War II who have taken to riding across the country on their second-hand military-issue Harley Davidsons. Is that how biker gangs started? These are pretty sweet gangs, especially given that they both seem to be inclined as Tom and Ronnie are. Although they are the source of the murder at the center of the narrative, they are also tied to the Black Cat bar in San Francisco, which is where the gangs—the Eagles and the Ravens—first encountered each other. Fascinatingly, the Black Cat is where they meet a drag performer called the Nightingale—someone known to Nick and Carter.
Butterfield has done extensive research into the procedures related to police work and trials for this book, and it shows. There is a historically authentic feel to the whole plot arc as Frank Butterfield mixes history into his fiction. As always, the thinly-veiled homophobia that was the rule in this period is always there, adding tension and danger to the whole proceeding.
Throughout the telling of the tale, both Tom and Ronnie learn their trade, and hone their skills to become better lawyers, but also more sophisticated men. I guess there’s no better way to rise in the world than to deal with murderers of all social classes.
It’s a decent storyline, well researched and with sufficient detail to set the tone and place for the narrative. The mystery feels a bit contrived, or perhaps a bit forced, and the resolution is quieter than expected. Good character development, though some cast members are minimally developed, at least in this installment. Ends with the primary plot resolved.