血色浪漫

家国五部曲 #2

by 都梁

《血色浪漫》是时代洪流下一代人不由自主的残酷青春，他们当顽主“拔份儿”，上山下乡，参军转业，下海经商，几经沉浮，却在同一个时代背景下活出了不同的悲喜。这是他们阳光灿烂的日子，在青春年华，他们都是在路上的行者，为了一个个不一样的精彩人生，他们在各自的轨道上奋斗着。
钟跃民、袁军、周晓白、张海洋、郑桐……他们是生长在北京大院里的孩子，是童年发小，原本只是一群普普通通的中学生，“文革”开始了，他们的命运也随之改变……
袁军入伍，做了军官，用执着打动了周晓白；张海洋转业后当上了警察，也实现了他的人生理想；郑桐坚持努力，考研回城……主人公钟跃民的人生经历了几次低谷，甚至窘迫到摆摊卖煎饼，但他用不懈的努力，换回了属于他的别样人生。
血色青春里，一代人的奋斗史。
都梁“家国五部曲”之一，以一种带有浪漫主义色彩的写作手法，勾勒出时代洪流下一代人不由自主的残酷青春。
他们的浪漫在血色昏黄中弥漫成昨日的记忆，我们的心情在他们的故事中随之波动，却发现，青春不过是一场绽放到极致却结束得太仓促的梦。
同名电视剧由刘烨、孙俪等当红艺人主演，再现那个年代阳光灿烂的日子，反响热烈，深受欢迎。
都梁，原名杨湛，1954年出生于江苏省淮安市盱眙县。中国内地作家、编剧。出版长篇小说《亮剑》《血色浪漫》《狼烟北平》《荣宝斋》《大崩溃》等五部，其中前四部已被改编成同名影视作品。
都梁的每一部作品都有独特的情怀与力量。《亮剑》诠释了国之军魂，《血色浪漫》描述了一代人的奋斗史，《狼烟北平》可以当作爱国主义教材，《荣宝斋》堪称一部企业管理学巨作，《大崩溃》则是一部气势恢宏的战争史诗。五部作品类型不同，但其主题却不出“家国”二字。
都梁笔下的人物具有极强的人格魅力，如《亮剑》中的李云龙、赵刚、楚云飞，《血色浪漫》中的钟跃民、张海洋、袁军，《狼烟北平》中的文三儿、徐金戈、方景林，《荣宝斋》中的张仰山、庄虎臣、张幼林，以及《大崩溃》中的佟满堂、蔡继刚、蔡继恒等，这些人物形象都受到读者的热烈追捧。

Genres: Fiction

662 pages, Kindle Edition

First published March 1, 2004

Reviews

[Yong Liang · Rating 4 out of 5]

活在路上的人。

[SH · Rating 5 out of 5]

当年最爱 书架必备

[Graeme · Rating 2 out of 5]

It should have been a great read, and bits of it were good, but, overall, it rates barely two stars. It started well, by revealing a side to the cultural revolution that one doesn't usually associate with that time of collective madness: the period, perhaps a year or more, when the worst of the "movement" was passed, but before teenagers were sent down the to country to be rusticated. The novel depicts groups of teenagers, the relatively pampered children of officials, out on the loose; their parents were in detention of some sort, and there was no school or university to attend, so they created gangs, got into fights and chased girls (in a rather chaste way). The dialogue was stilted and the fights hammy, but there was a sense of freshness about the settings and atmosphere. But then it went downhill rapidly. Most of the heroes get sent down to the country, where they do unbelievable things (one of them decides to get serious and study, and somehow has access - during the late cultural revolution in backward northern Shaanxi no less - to a wide range of historical literature, including foreign books! Several of the heroes join the army. The depictions of army life are moderately tolerable, but then China invades Vietnam, though that country is not mentioned by name and you'd never know that China started it or that in reality it did rather poorly. However, the book's nadir is reached when the heroes separately make their way back to Beijing. Judging by their ages and what's already happened to them, it must be the mid-1980s, but the things they say and do feel like the late 1990s at the earliest, if not the 2000s. One senses the author knows he's tearing at the credibility of his setting, but he wants his characters to be running about doing the stuff people did in the late 1990s and he wants them to be in their thirties (the characters would be pushing 50 by the late 1990s), so he just makes it up. Anyone who lived in the China of the mid-1980s can only groan at the inaccuracies (did Chinese people really go about talking about "win-win" in the mid-1980s, and where did they find these groovy wine bars?). And by this point in the novel its single biggest weakness, that its main hero, 钟跃民, is simply insufferable, comes to the fore. It was only my determination to finish the book that allowed me to read on through page after page of his extraordinary wit, his brilliant feats of, well, everything, and his bumptious presumptuousness. Ah well, I did learn some useful new vocabularly, and the cultural revolution scenes add to own's sense of that time, but I'd hesitate to recommend the novel to any but the most dedicated.

[Henry Wu · Rating 5 out of 5]

血淋淋的现实中浪漫的理想主义。

这现实可以是混乱的群架、贫瘠的陕北农村、残酷的对越自卫战场，这浪漫化作青春、信天游、和勇气。

钟跃民是真正的精神贵族。读时几次泪目，但我感觉作者是收着写的。