Leningrad/American Writers in the Soviet Union

by Michael Davidson, Lyn Hejinian, Ron Silliman

Nonfiction. In August 1989, a new, independent organization of young Soviet writers hosted the first international conference for avant-garde writers to be held in the USSR since the Russian Revolution. "Summer School--Language, Poetry, Consciousness" was a grassroots attempt to harvest the fruits of glasnost, bringing together poets and scholars from Siberia to San Diego. Attending were four American writers, Michael Davidson, Lyn Hejinian, Ron Silliman, and Barrett Watten. Leningrad is their collaborative account of this extraordinary trip. A collection of poetic essays, it is a commentary on the intellectual revelations that result when post-glasnot Soviet and American intellectuals meet face to face. Some misunderstandings that arise are funny: one Russian asks the Americans if the Manson family is a TV show; some are surprising: when asked if she would like feminist literature from the states, a Russian woman requests the complete poems of Jim Morrison. While each group found inspiration in the other's avant-garde tradition, they had different definitions of what avant-garde was. American writers were testing their ideals of Western Marxism; the Marxists they had admired idealized American bourgeois democracy. Intellectually challenging, this collection is an unusual twist on the meeting of minds from across oceans.

Genres: Poetry

160 pages, Paperback

First published January 1, 1991

About the author

Born in Oakland, California on December 18, 1944, Michael Davidson attended San Francisco State University and continued his graduate degrees at The State University of New York at Buffalo. He is currently Distinguished Professor of English at the University of California, San Diego in La Jolla.

In addition to being a widely published poet and poetry editor (he is represented in the 2004 edition of Best American Poetry by a poem entitled "Bad Modernism"), Davidson is known for insightful literary criticism, his work in disability studies, and for the meticulous editing of the monumental George Oppen, New Collected Poems.

Reviews

[Benjamin · Rating 5 out of 5]

I'm surprised that this book has not been cited as a precedent for the Grand Piano project (at least I haven't seen it so cited).

I could quibble with aspects, for sure, but I remember enjoying this book immensely when I was reading it—and it outlasted the Soviet Union itself. What more can you ask of an experiment in collectivity?