It was only in the last five years of famed spiritual author Henri J.M. Nouwen established a friendship with The Flying Rodleighs, a trapeze troupe in a traveling circus.
On the surface, it would seem to be a most unusual diversion for the serious and studied Nouwen, a Dutch Catholic Priest, theologian, author, and writer known for his approach to subjects such as social justice, psychology, pastoral ministry, and community.
My own introduction to Nouwen was during my own seminary years, his book "Adam" a required reading experience during one particular pastoral care course and a book that recounted Nouwen's experiences providing support for a young man during Nouwen's years living in Daybreak, a L' Arche Community.
For the record, I was not a fan of "Adam" (the book, not the person of course).
Yet, there was something about Nouwen that intrigued me and I began a years-long feeling of kinship with the richly human, amazingly vulnerable, yet stunningly intelligent author.
with "Flying, Falling, Catching," Nouwen and Carolyn Whitney-Brown have helped me understand why.
Nouwen, who passed away from a massive heart attack in 1996 at the age of 64, comes to life in a rather exhilarating way thanks to Whitney-Brown's ability to weave together a tapestry of Nouwen's own writings about his years-long, late life friendship with The Flying Rodleighs and a creative non-fiction approach to Nouwen's rather unusual rescue during his first heart attack that rather magnificently captures the kind of deep, soul-searching spirituality Nouwen was experiencing during these years and a soul-searching that was very likely satisfied through his almost child-like friendship with this small trapeze troupe that embraced him, his curiosity, his enthusiasm, and his friendship.
Whitney-Brown, a real-life friend and peer of Nouwen's, captures with honesty and simple beauty the wonder of Nouwen's journey whether writing about his engagement with his flying trapeze friends, his joining the march in Selma, his living amongst people with intellectual and developmental disabilities, or his friendships formed with those impacted by the AIDS epidemic.
Whitney-Brown beautifully captures Nouwen as a joy-filled, almost child-like spiritual risk-taker who found a freedom in his later years as his carefully structured life increasingly became one of unpredictability, learning, vulnerability, and even failures.
It would seem as if nearly everything that bothered me about "Adam" is addressed in "Flying, Falling, Catching," a book that generously reveals Nouwen's own previously unpublished writings, mostly about the Flying Rodleighs, and helps us understand how these unique experiences were essential to Nouwen's later in life spiritual growth and personal healing.
I'm quite often not a fan of these types of posthumous collections, yet "Flying, Falling, Catching" feels like essential Nouwen and feels like a book that Nouwen himself would have wanted to publish yet, sadly, his life ended before he himself could find the words.
Quite simply, "Flying, Falling, Catching" is a lovely book in every way.