Survey Our Literary Landscape From the Open Window of Glimmer TrainMany writing books offer instruction and inspiration, but never before has one pulled back the curtain and laid bare before you the joys, frustrations, struggles, and achievements of the literary life–as experienced by more than one hundred accomplished writers. In excerpts from interviews conducted over a sixteen-year period and preserved by the editors of the highly respected literary quarterly "Glimmer Train Stories" and its supplement "Writers Ask," contemporary writers who rarely discuss their craft present you with eye-opening techniques, diverse perspectives, and genuine encouragement–the kind of wisdom earned only from years at the writing desk.
Julia Alvarez, Edwidge Danticat, Robert Olen Butler, Sandra Cisneros, Andre Dubus, Ernest Gaines, Jamaica Kincaid, Antonya Nelson, Tim O'Brien, Ann Patchett, Annie Proulx, Tobias Wolff
The voices of these authors and many others resonate from the pages–sometimes humorous, sometimes heartbreaking, but always illuminating. A thorough treatment of craft and accessibility to engaging authors make "Building Blocks"–the first volume in this exquisite new series–the perfect guidebook for your writing life.
You will not find much biographical information around the web about Susan Burmeister-Brown. She co-founded Glimmer Train with her sister Linda B. Swanson-Davis, and Susan and Linda are the current editors of Glimmer Train, one of the top literary journals in the country. If you walk on to a college campus or find someone who follows contemporary literature, they might not know Susan, but they will certainly know her achievements and influence in the literary world. Glimmer Train has been publishing for 18 years, and the publication is consistently outstanding. Susan is a lover of fiction and stories.
This took me six months to finish. It's not a how-to book, but rather a collection of author interview snippets arranged by theme: beginnings, character, research, etc. Illuminating stuff, all told from the what-I-do perspective, rather than an instructional perspective. I read the whole thing with a notebookbeside me.
First of all, this is a beautiful book—beautifully bound and gorgeous layout and typography. It is also quite fascinating at times. The problem, is that I (and I assume most people) will not know most of the authors. The book has it's share of heavy hitters, but the majority I've never heard of, or I've heard of them and never read their work. This doesn't have to be a problem, but the entries are clearly excerpts from longer interviews about particuar books in which the assumption is that you have read the book or are about to read it. As a result, rather the authors being interviewed are often answering questions about particular characters or situations in books you have never read. The difference between this collection and say, The Paris Review's Writers Chapbook, which is similar in format, is that the Paris Review interviews are with the great writers of the 20th century rather that authors of contemporary fiction. So you are well-read, you know the authors and most of works. The interviews are therefore much more engaging. For example, when David Long talks about his stort stories, I've neither heard of Long nor read any of his stories. That's not a knock on long. He's probably terrific and for those who know his work, his comments will be fascinating. But less so for me.
This said, there is still a lot of facinating reading and penetrating insights in these interview excerpts. I recommend it for writers. I would also recommend reading it slowly, in short intervals.
I'm trying to read this, but it's like when you order a burger and it looks really good on the menu but then it's so big and overstuffed because they put way too much of each ingredient on it and also the meat itself is way bigger than it needs to be so as you eat it it just falls all over the plate and your hands and turns into a big mess that you can't really finish, at least not in any normal burger-eating way.
I am bored. There is so much here, and I'm not sure most of it is any good. It's annoying to listen to some writers talk. I knew that going in, but I don't know, I thought it would be more about writing rather than just people talking about their own writing again and again and again. It doesn't help that I haven't read most of these authors. I'm calling it quits. It's too long to keep going.
I didn't read this cover to cover. But I don't think it was meant to be read like that. It's been sitting around and I picked it up once in a while and now that my bookmark has found its way to the back I'm shelving it.
This one is really mistitled. It is certainly not a guide of any sort. It is a collection of excerpts of interviews and other peoples writings that may or may not inspire the reader. It is a cool looking book that is well bound and nearly pointless.
found this to be boring. didn't finish it . . . sad that i bought it. i think perhaps at another time it would have been great for me to read, but i am tired of reading about writer's processes. maybe that's a good thing - maybe it means less reading about other writers and more writing myself?
Glimmer Train is a terrific literary magazine run by 2 sisters. They actually give free writing advice in their e-newsletters, but I read better from a printed page, so I bought this book.