St Ignatius spoke of "finding God in all things." How can we find God in the arts? Terry Glaspey is a dedicated art aficionado, and here shares reflections and ideas for art appreciation as a spiritual discipline. By art appreciation, I mean engaging with artistic works from a learning standpoint, not just intellectually as one might learn in an art appreciation class, but personally as well, looking and listening with the emotions and spirit.
The arts were always valued in my family, so Glaspey didn't need to convince me there (though he does a better job of this than some other writing I've read on why Christians should appreciate the arts). I resonated with many experiences he had with art. Glaspey is far more attuned to music appreciation than I am (belying my name!), and I'm especially intrigued by his lists of classical, contemporary, and jazz music.
Discovering God through the Arts inspires me to appreciate beauty even more. It made me itch to go to an art museum, long for a seat at the symphony, go see a film. Quite honestly, I haven't done any of those things since the pandemic started, and reading this book made me realize how much I missed all of it, because in the before-times I needed little encouragement to do that. Novels and poetry, on the other hand, have been a steady source of artistic appreciation for me over the past two years. While I have read plenty of art books, listened to plenty of music, and watched plenty of films at home, it's not the same as surrendering myself to the live experience.
Glaspey speaks of art appreciation as a spiritual discipline. However, he's not using the term in the classical sense of disciplines like fasting, solitude, simplicity, and so forth. Instead, he's arguing that the arts can be a place where we can have spiritual encounters, and that regularly practicing art appreciation can benefit the Christian life. I would have enjoyed a more systematic exploration of art appreciation as a formal discipline, but that's not where Glaspey goes. Some of the questions and ideas he includes at the end of every chapter could become regular, formal disciplines in one's life, and some are more suited to one-time or occasional use.
Glaspey doesn't always take the time to explore non-Western art. Once, he claimed "space limitations" as a reason not to explore it, which felt facile. He could have bumped something else to make way for it. I do understand, as a Westerner myself, that we are trained to think of beauty in a particular way, to read it in a certain artistic language, and thus we don't always speak the mother tongue of beauty in other cultures. Yet, part of Glaspey's point is that we can learn to do this through careful attention and what Alan Jacobs calls "the hermeneutics of love." I wish Glaspey had demonstrated this better in Discovering God through the Arts. Only last night I was conversing with two musicians, one of whom mentioned that all human cultures have a concept of the octave. Art is both discovered (such as mathematically demonstrable beauty like the 2/1 ratio of the octave) and created (any melody).
Glaspey seems conflicted about "low" art, referring to it as "fast food" and "sugar." He doesn't necessarily come down on it, and mentions what he likes and why there is a place for such things in his diet, but I wasn't entirely pleased with how he discussed it. He quotes Lewis's An Experiment in Criticism but doesn't seem to have understood one of its essential messages, namely that the consumer's experience of any work, "high" or "low," must be taken seriously, perhaps over any perceived artistic value in the work. Glaspey mentions Star Wars as one of his "fast food" pleasures, but by placing it there he ignores the vibrant interpreting community surrounding the franchise that finds deep meaning in the stories. In my opinion (building on Lewis), the perceived value of the work itself is less tenable than the meaning the reader, viewer, or listener can make from it.
Aunt Dimity's Death, a cozy mystery novel I recently enjoyed, might deserve the label of literary "candy." Yet, in it I found a celebration of beauty and simple pleasures, a cathartic story about rediscovering one's joy for life, and a meaningful exploration of coming to terms with the pasts of our loved ones. On the one hand, you could dismiss Aunt Dimity's Death as fluff. On the other hand, you could write an essay on this novel as a Divine Comedy in cozy mystery form. And I think we all know which route I take. Labeling a certain class of art as "sugar" closes one off to further dimensions of art appreciation. I've known some folks who set off on a self-prescribed diet of their choice, only reading "classic" literature or watching the "best" films or whatever. Every single one of them has lost their love for the medium and quits it altogether, at least for a time. If we forget to play in our art appreciation, we lose as much as if we consume mindlessly. Granted, Glaspey does say that eating a steak dinner every day isn't healthy, and a balanced diet of art appreciation should include comfort works as well. Yet, he failed to explore this meaningfully in a sustained manner. Encountering any creative work with the whole self, be it a Hallmark movie or a Russian novel, opens the possibility of a compelling experience. Cutting oneself off to one or the other can lead to snobbishness or artistic atrophy.
Unfortunately, my enjoyment of Discovering God through the Arts was decreased by some poor editing choices. There are a few too many distracting typographical errors to ignore ("bethrothed" instead of "betroth'd" in Donne's Holy Sonnet XIV, lol). A few places could have used some judicious editing for tone. Of course, plenty of art forms are missing here, like plays, television, handicrafts, and others. (Television and handicrafts are not always recognized as "high" art, but Glaspey tries to tear that down as well and has a rousing admonition against snobbery.) When I think of what this book might be like with those areas included, I'm honestly a little relieved they aren't present, because Glaspey refers to so many works of art that adding new genres to this book would have cluttered it.
Glaspey has also written 75 Masterpieces Every Christian Should Know, and he does love a list. Not limited to a mere 75 selections, in the final chapter he shares lavish lists of poets, musicians, novelists, films, and artists. (Individual works and a few anthologies/books of criticism are also included.) I am intrigued by many of these and look forward to exploring more, and perhaps making my own lists of works that are spiritually meaningful to me.
Recommended for those who want to get into theology and the arts, for those who want to learn how to practice art appreciation (film, music, literature, visual art) as a spiritual discipline, and for any Christian who wants to reshape their understanding of culture in a non-combative way.