Between the Gothic and the Plague: Why we can't have nice things

by Horace Walpole, William Beckford, Mary Wollstonecraft Shelley

This volume contains five stories about plague – some short, some long. Each that builds upon the heritage of the other.

This volume contains five stories – some short, some long. Each that builds upon the heritage of the other. It starts with The Castle of Ontarato (1764) by Horace Walpole which is considered the first, “Gothic Novel”; Vathek , An Arabian Tale (1782) by William Beckford, was influenced by Walpole and Arabian Nights; The Last Man (1826) by Mary Shelley carries on the theme of the previous works, but could be viewed as one of the first science fiction post-apocalyptic novels; The Masque of the Red Death (1842) by Edgar Allen Poe also focuses on apocalyptic forces and society’s efforts (or lack thereof) to deal with it. Finally, The Scarlet Plague (1912) by Jack London describes a world-wide pandemic that humanity cannot control. Even the cover illustration, The Sleep of Reason Produces Monsters , by Goya is influenced by the Gothic art and forms a sort of double-entendre of monsters made in our mind and by doing nothing.

528 pages, Paperback

Published October 13, 2020

About the author

Horatio Walpole, 4th Earl of Orford — also known as Horace Walpole — was an English art historian, man of letters, antiquarian and Whig politician. He is now largely remembered for Strawberry Hill, the home he built in Twickenham, south-west London where he revived the Gothic style some decades before his Victorian successors, and for his Gothic novel, The Castle of Otranto. Along with the book, his literary reputation rests on his Letters, which are of significant social and political interest. He was the son of Sir Robert Walpole, and cousin of Lord Nelson.