Glenn Patterson is one of Northern Ireland's national treasures. His novels over the past thirty years have documented the social history of Belfast, both contemporary and historic, with a great deal of love. Where other writers have focused mainly on the Troubles and the Catholic part of the community, Patterson writes from a Protestant perspective and his novels have kept the Troubles firmly in the background. Serendipitously, his writing has coincided with the Peace Process, allowing him to reflect great social change across his works.
Where We Are Now is about middle age. Herbie is somewhere in mid-life - perhaps in his 50s - living somewhere in East Belfast. He has been laid off from his work as a payroll manager; as his company downsized, so too did the payroll Department. His ex-wife Tanya lives down south with her new partner Martin. He fills his time walking to the Public Records Office in the Titanic Quarter and offering research services to the visitors looking to recreate their family histories. His speciality is the records of public applotments. In between researches he drinks coffee in Sam's cafe and shops in Lidl.
Herbie is lonely. He drifts into other people's conversations, lives on the edge of other people's lives. He used to ave more going on in his life; he remembers former times living in Mount Oriel when he and Tanya socialised a bit, did things. They had an identity. But now, in reduced circumstances, a visit from his daughter Beth forces Herbie to see his life now for what it is.
This is, of course, a metaphor for where Belfast sits now. Trading on a recent history of being edgy, dangerous, Belfast now welcomes cruise ships, ferries its visitors around in tour buses to take selfies in front of murals. The paramilitaries no longer go on military manoeuvres but still stand over local businesses demanding protection money and free pizzas. They are hard men turning to flab. They still blight the lives of the communities they bleed, but they no longer impress anyone.
And as the Troubles fade, Northern Ireland tries to hark back to an even earlier history - the artificial creation that is the Titanic Quarter. Modern buildings set on the derelict land left when the Harland and Wolff shipyard closed, named for its most famous ship. A ship which, of course, sank on its maiden voyage. Meanwhile, in the city centre there is real history that is being renovated to the point of extinction.
Where We Are Now does have the signs of new beginnings. Sam and Derek - a same sex couple - seem to be accepted into the community. There are migrants coming to Belfast - although whether Brexit will let them stay remains to be seen. As the sub-post offices close they make way for new enterprises. The black taxis are making way for Uber. Even Herbie might find a way to reinvent himself.
There is plenty of observational stuff - the small talk of the middle classes; the sparsely attended local football game (I presume Glentoran); the airport and its connections to the disappointing public transport network; the topography of East Belfast (although I could never quite work out where Herbie lived - perhaps Ballyhackamore); the migration of businesses to the petrol station. The characters also feel real, even though most of them wander in and out of the pages without ever setting the story alight. They are bit part players in the bigger story of a city that is having a mid-life crisis.
So this isn't particularly a plot led story; it isn't exciting or shocking. It is more a chapter in Glenn Patterson's life work that suggests a turning point. Let's see where it goes next.