A new collection of poems from one of America's most vital and imaginative poets
The poems in this brilliant follow-up to the National Book Award finalist Archeophonics , are concerned with grieving, with poetry and death, with beauty and sadness, with light. As Ben Lerner has written, "Gizzi's poetry is an example of how a poet's total tonal attention can disclose new orders of sensation and meaning. His beautiful lines are full of deft archival allusion." With litany, elegy, and prose, Gizzi continues his pursuit toward a lyric of reality. Saturated with luminous detail, these original poems possess, even in their sorrowing moments, a dizzying freedom.
Educated at New York University, Brown University, and the State University of New York at Buffalo, poet Peter Gizzi is the author of several collections of poetry, including Threshold Songs (2011), The Outernationale (2007), and Artificial Heart (1998).
Gizzi uses both narrative and lyrical gestures to engage and question distance and light in his search for the unmapped. Reflecting on the question of whether his work is narrative or lyric, Gizzi stated in an interview with Poetry Daily, “I think I am a narrative poet—I’m just narrating my bewilderment as a citizen.”
A desolate majesty informs these poems, which read like some of the oldest songs. How to reconcile the emptiness of the blank, solitary present with the haunted terror and misericordia of the future and the past? What might nature know better about such reconciliations? If these poems are dark they are like the sky over Death Valley, studded with ancient and still-holding wonders, allowing no artifice, re-forming themselves relative to their own internal motion.
i read this fall of last year and rereading it i was struck by how much i had changed and how it felt different because of that.
the last two sections (especially, especially “nocturne” are so haunting and beautiful. everyone wants to do ghost/corpse imagery but no one gives it the spectral quality in its all its lofty (yet mundane) fullness that gizzi gives ghosts/corpses.
I don't think I've read a collection by Gizzi before, so I'm not sure how representative this book is of his work. But this collection, the gambit seems to be the way an individual consciousness, closely observed, interacts with a fundamentally alien other, usually nature or some outgrowth of it. Gizzi does this in a lot of pretty long poems, three or four or five pages of mostly short lines, broken into short but not regular sonnets.
It didn't move me-- I wasn't all that interested in the rise and fall of his mental processes, and I didn't find sufficient compression in the language either. Oh well.
An exceptional collection covering loss and grief as textured realities of the everyday. Each poem can be read precisely and broadly. Dark, yes, but revealing with each page turned.
The way he weaves between something you can explain reasonably well and something you can't and just sort of intuitively feel is really quite masterful.