Having been reading the trades of Brian Michael Bendis' two runs on the Man of Steel, I've enjoyed Action Comics more than Superman as the former better showcases the character through his mild-mannered alter-ego using his journalistic skills, whilst pairing up with his wife, Lois Lane. Bendis' run on the main Superman title explores the cosmic side of the character, which at times can be too grand and facing monstrous figures that I don't care about as shown in the first volume.
Although the previous volume ended with the return of his super-son Jon, the story sets up the family reunion that I really wanted to see. As someone who read Peter Tomasi and Patrick Gleason's run on Superman, which wonderfully explored Clark Kent's role as father and husband, as well as making his wife and their son as main characters in the book, what works best about this volume is seeing this family dynamic returned and changed, not least with Jon having aged from an eleven-year-old to a seventeen-tear-old over the course of three weeks.
Although we do see Lois and Jon journeying across the galaxy with Clark's biological father Jor-El, Lois realises the galactic danger that is out there and has no place there, hence returning to Earth. As for Jon, he is trying to find a purpose than just being Superman's offspring, whilst wrestling with his relationship towards his grandfather, who clearly has issues, from secretly knowing that his home planet of Krypton will be destroyed to suddenly causing a number of worlds across the galaxy to be at war with each other.
There is a lot going on here in terms of intergalactic politics and over the course of nine issues, this section of The Unity Saga overstays its welcome and even suffers from some of the problems from before, such as the antagonistic presence of Rogor Zaal, who we finally get his origin and reveal whether or not he was the destroyer of Krypton. Again, I don't really care about that stuff, but what makes this book better than the previous volume in how it depicts the family, both as the Kents and the Els.
Bendis has proven himself to be a fine writer of Superman himself as you have some cool moments from Supes, but the standout is Superboy. Starting off a somewhat cocky pre-teen superhero who tries to stand his ground against the likes of Lobo, to suddenly fall into a black hole, leading him to being imprisoned on a volcano by the Crime Syndicate of America. This whole section is surprisingly dark, but when Jon reunites with his parents, he lets them know that he never falls into the abyss and will always be the son he know and love, despite the age difference, which also showcases the parents' regret of not being able to be with their son as he grow.
Considering how baggy the story can be, from the politics of the spectacle, it is credited to the primary artwork from Ivan Reis and Brandon Peterson to make this splended visual read. Pencilling Jon and Jor-El's stories from the past, Peterson's art has a more modern art-style compared to the classical presentation of Reis' art. That said, both artists serve to tell the story that Bendis tells, comprising of cosmic set-pieces showcasing the various aliens battling each other, whilst various members of the House of El – including Krypto the Superdog – show off their incredible powers. Like I said, Rogor Zaal is not that interesting, but getting his ass kicked is a pleasure to read.
Ending in a grand moment of hope, which seems appropriate for Superman, it opens the door for an interesting continuation for The Unity Saga, whilst setting Superboy's future status as a member of the Legion of Super-Heroes, of which Bendis is writing.