Inspirado en las muchas diosas que la historia ha honrado, este tarot utilizar sus mitos e imágenes para actualizar el simbolismo tradicional del tarot sin dejar de reconocer las necesidades de la mujer contemporánea ni su pasado mítico. La reconocida escritora y artista Kris Waldherr ha conseguido con esta obra una poderosa y bella herramienta de poder y transformación, de enorme utilidad para el crecimiento personal, pero que sobre todo permitirá honrar a la diosa que encierras en ti... y que vive y ha vivido en todas las mujeres a lo largo de la historia
Kris Waldherr is an award-winning author and illustrator whose books for adults and children include Bad Princess, Doomed Queens, and The Book of Goddesses. The New Yorker praised Doomed Queens as “utterly satisfying” and “deliciously perverse.” The Book of Goddesses was a One Spirit/Book-of-the-Month Club’s Top Ten Most Popular Book. Her picture book Persephone and the Pomegranate was noted by the New York Times Book Review for its “quality of myth and magic.” Waldherr is also the creator of the Goddess Tarot, which has a quarter of a million copies in print. Her Kirkus-starred debut novel The Lost History of Dreams was named a CrimeReads Best Book of the Year and her Unnatural Creatures: A Novel of the Frankenstein Women was an Editor's Choice at the Historical Novels Review.
A good intro into the goddesses of the world. Very basic but offers a good selection of further reading. Offers easy to understand rituals for those interested. Quick read.
This book offered some interesting lenses on mythological goddesses, and a few helpful rituals to honor life transitions. I was a bit bothered by the fact that the phrase "time immemorial" was used more than six times (in six different chapters) because I just can't handle the cliche, but the actual content was pleasant enough. She brushes the surface of the myth behind the Goddess figure, but generally digs into the suggested ritual/honoring/offering to the Goddess. I also appreciate the light feminist lens through which the goddesses are described. That is, it's not an overt lens, but it's there and thus obvious (and homey) to a feminist like me. Good book.