An enjoyable Jewish family drama, tracking the formative years of our protagonist, Beth Levy.
Beth is growing up in mid to late 20th century Manitoba and Winnipeg. Although I generally understand these locations to be rural Canadian, I don’t think Ludwig injected a lot of specificity into the novel. Not about the geographic location and not a lot about national and international history, either. Sometimes there’d be a line drop here or there, but the story was overwhelmingly domestic.
Not that that’s necessarily a bad thing! Something I’ve solidified from other books I read this month—better to have well crafted, believable characters than card board cutouts that exist to react to plot or world events. Maybe I would have preferred a little more table dressing here, but I’m ultimately satisfied.
Beth is our narrator, and she lives under the auspices of her mother’s family. Not much mention of her father’s, but we have more than enough characters here! When Beth is a very young girl, she and her parents move in to help her maternal grandmother in the last stages of her life. Also present are Beth’s two aunts, Carrie and Sarah. An uncle, Phil, who died in World War II looms like a muse over Beth’s life, inspiring a love of astronomy.
Beth’s mother, Goldie, is none too pleased about this. She’s trying to follow a conventional path of Jewish womanhood—devotion to husband and family, but also to Jewish life in the region. I’m not sure I’ve read another Jewish novel that references involvement in a synagogue Sisterhood. Goldie is ultimately rewarded for her charitable acts. But her daughter’s independent wishes sometimes grate on her.
Elsewhere, Carrie is harboring a guilty secret from the past, living as a slightly quirky spinster, and encouraging Beth’s academic interests. Sarah is only 10 years older than Beth, a surrogate big sister, in a way, who is the most rebellious with her social liaisons and desire to move to New York to be an actress. Later in life, perhaps coming full circle, Beth gets to be a surrogate older sister to Sarah’s daughter, Jade. Beth also makes friends during school—Norma and Marilyn—but perhaps they’re the most archetypal characters. Norma is a conventional young lady, on the path since age 13 to marry her school yard sweetheart. Marilyn is an outspoken, Betty Freidan-reading feminist. Another friend, Cheryl, is a little more interesting, or perhaps it’s more accurate to say that Beth’s reactions to her subplot are more interesting. It’s a pretty short book; it reads fast, but most of Ludwig’s secondary characters are kinda fleeting.
Still, I was impressed with how Phil loomed over the scene, even though he wasn’t alive during the narrative. Maybe it had to do with Carrie “indoctrinating” Beth into Phil’s astronomy journals in the beginning of the book. Maybe it has to do with Beth’s half poetic, half scientific free fall into the subject. I copied some lines into my Facebook profile about Beth trying to explain her love of astronomy to her mother, and imagining her uncle Phil with them.
But I think the major crux of the book had to do with the relationship between Goldie and Beth. Maybe I’m biased, because Beth’s desire to be understood by her mother reigned supreme on page 112, which I read first before putting this book on my TBR. But I’d say it’s a pretty big deal, and Goldie’s desire for Beth to lead a life much like hers is a continual touchstone of the narrative. Made all the more powerful, perhaps, because we get to see snippets of Goldie’s relationships with the other female members of her family. There’s too much going on here for Goldie to just be “the villain.” Instead, maybe there’s a more universal set of themes in here—about the bonds we make, what we expect of each other, and how we make amends within imperfect relationships.