Novels, including Their Eyes Were Watching God (1937), and nonfiction writings of American folklorist Zora Neale Hurston give detailed accounts of African American life in the South.
In 1925, Hurston, one of the leaders of the literary renaissance, happening in Harlem, produced the short-lived literary magazine Fire!! alongside Langston Hughes and Wallace Thurman shortly before she entered Barnard College. This literary movement developed into the Harlem renaissance.
Hurston applied her Barnard ethnographic training to document African American folklore in her critically acclaimed book Mules and Men alongside fiction Their Eyes Were Watching God. She also assembled a folk-based performance dance group that recreated her Southern tableau with one performance on Broadway.
People awarded a Guggenheim fellowship to Hurston to travel to Haiti and conduct research on conjure in 1937. Her significant work ably broke into the secret societies and exposed their use of drugs to create the Vodun trance, also a subject of study for fellow dancer-anthropologist Katherine Dunham, then at the University of Chicago.
In 1954, the Pittsburgh Courier assigned Hurston, unable to sell her fiction, to cover the small-town murder trial of Ruby McCollum, the prosperous black wife of the local lottery racketeer, who had killed a racist white doctor. Hurston also contributed to Woman in the Suwanee County Jail, a book by journalist and civil rights advocate William Bradford Huie.
Here is one origin of the concept of "pick-me negroes" that I have heard used in 21st C American discourse. Short, tongue firmly in cheek, Zora Neale Hurston gives a description of how the concept was embodied in the Old South (and North).
So matter of fact and simply expressed, it reads like a children’s story. Remnants of such a system may still exist today, in some form. Great little read.
She is remarkably perceptive in addressing a rarely acknowledged situation. I have lived this, but never thought to see it explored with such kindesss.
The short stories are entertaining and shed light on a very real race dynamic between black and white people in America. As a man of color, I am guilty of conveniently allowing myself to become a pet in the past. To be fair, most black people also have a pet white person in our lives. on a more serious note; Hurston sheds light on a form of oppression which is often disguised as good manners and deeds. Given the history of Africans and Europeans in America; the dysfunctional social relations that ensued were inevitable. Things have gotten considerably better since Jim Crow, but we all still have alot to learn.