Wow, what can’t Tom King do? Faster than a speeding bullet, flying through the sky, it’s a bird, it’s plane, it’s Tom King rescuing the world and comics from despair. So let’s say you liked the darker, madder Batman of recent years for his depth and angst and the grappling with the difficult ethical questions, and thought Superman was shallow and too much the Boy Scout? Over time we came to see the wisdom and rightness of Batman: The Dark Knight and dismissed Superman--with Frank Miller--as sappy pablum. He’s the other Big House version of Captain America, maybe, just a little too patriotic and scrubbed-clean to be real. Maybe you’ve read Howard Zinn’s The People’s History of the United States, let’s say. You’re a bit too cynical to swallow it? Gave up on all that hopey-changey stuff?
Well, let King walk you through the history and nature of Superman. What King seems to do with each superhero is strip each of them down to their essence, and answer the question of why we should care about them, here and now. Who or what is Superman at the core and why does he matter? Why is he relevant today?
King’s answer is that Superman’s commitment to acting on behalf of other humans in need, and on the side of Truth and Justice is still vitally important, most especially in a time of Lies and Injustice. These are not empty platitudes. Goodness is not idle talk; it requires action. And by you. Superman isn’t our stand-in. We can’t wait for him to do it for us. He’s a model for how we must live in crisis.
King in six issues looks at Clark Kent and Superman in various ways, holds him up to the light for us and turns him around for our appraisal. The basic point here comes in the main story where Supe has to rescue a single little girl. Two sibs are killed, one is injured and leads him to the kidnapped fourth. Should he--should we--care about that single kid when he/we have so much else to worry about, bigger fish to fry?
The executive summary is yes, we have to care about that single lost child held on an alien planet by monsters or we are lost. Lost.
The art from Andy Kubert is throwback to 1939, to its origins, when kids picked up these single issues for a dime and cherished them and deified Superman. And much of this volume is seen through a child’s eyes so we can see the Goodness in him, so we can remember why the world loved him. And why is he such a Good boy still as an adult? Because of his origins, because of good people who raised him right in Kansas as Clark Kent, who cared for this Son of Kai-El come to Earth to become a kind of Jesus.
We see him pitted against monsters in the fight for this single girl, and we also see him in these classic battles with other supes like Flash. Does it matter who is fastest in the world? It IS Flash, as we all know, but if Lex Luthor says he is going to donate 100 million to charity if Superman wins, Superman will do The Impossible, and he will win. That kind of story is meant to be inspiration to kids, to us. King takes us through the Thousand Deaths of Lois Lane, his endless need to protect her. He helps us see the real heroes, which in this book is the military that beat the Nazi threat to the world in WWII. That was the spirit of Superman, King says, those acts of self-denial and altruism.
King has us look at how Superman and Clark Kent need each other, are essential to each other, in one issue titled after George Bernard Shaw's Man and Superman, which is very smart. He’s born of contradictions, he’s not an angel, he’s not a saint. And in the end, yes, you knew it, he rescues the girl. Why? Because he’s Superman. I say this is one of the great comics of the year, one for our time, for the importance of Truth and Justice AS the American--the International--Way. A case for plausible hope.