When it first appeared in 1964, Stuart Hall and Paddy Whannel's The Popular Arts opened up an almost unprecedented field of analysis and inquiry into contemporary popular culture. In contrast to prevailing views of the time, Hall and Whannel recognized popular culture's social importance and considered it worthy of serious study. In their analysis of everything, from Hollywood Westerns and the novels of Mickey Spillane, Ian Fleming, and Raymond Chandler, to jazz, advertising, and the television industry, they were guided by the belief that studying popular culture demanded an ethical evaluation of a work and full attention to its properties. In doing so, they raised questions about the relation of culture to society and the politics of taste and judgment in ways that continue to shape cultural studies. This landmark text highlights the development of Hall's theoretical and methodological approach, while adding to a greater understanding of his work.
Stuart Hall was an influential Jamaican-born British sociologist and cultural theorist. He was Professor of Sociology at the Open University, the founding editor of New Left Review, and Director of the Centre for Contemporary Cultural Studies at the University of Birmingham.