There is a voice to THE GREEK PERSUASION that is so unique to its author, such a specific tumble of feelings and emotions and sensations and experiences shared, that you can’t help but feel you’ve taken a journey into the heart, head, and mind of not only Thair, the main protagonist, but Ms. Robeson as well.
This is a novel that reads much like a memoir, interweaving the stories of three women—thirty-something Thair, her mother, Phaedra, and Thair's cherished yaiyia, Dita—all juxtaposed against the memory pieces Thair writes in her search for existential clarity. The book digs deep into the culture, the gender politics, the hopes and dreams of these women of different generations and disparate life expectations, all of which inform Thair’s evolving worldview.
One of the book’s richest and most rewarding aspects is its immersion into the Greek mindset, of the author and her characters. With much of the narrative taking place in Greece, and an actual plot foundation pulled from mythology so endemic to Greek history and culture, it’s a sensorial journey into the sights, sounds, foods, and scenery of the character’s most beloved island, Kythnos. In fact, Thair’s obsession with red, ripe, Greek tomatoes is so fully realized in the text you can almost taste them yourself!
The main focus of the story—looking for and finding your “other half”—may resonate most with readers exploring their own notions of soul mates and the visceral glory of true love. At times I felt Thair’s fixation on such matters limited her worldview, and repeated explorations of why she would never want children, an element that factors into every one of her relationships, occasionally felt cynical, even harsh. But, if nothing else, there was a candor and honesty to that discussion that compelled a certain admiration, even if it might be off-putting for some.
Mostly the book succeeds in its commitment to tell its story, explore its characters, and come to its conclusions with unmitigated, unbridled passion—of its main character, of its dive into the politics of friendships, family, love, gender roles, sex, and independence; of its depiction of a single woman looking for, finding, losing, stumbling, standing, and, ultimately, discovering her true self. At its end, you feel as if you’ve been on a poignant journey with an unapologetically emotional and expressive friend, and her “peace found” becomes something you applaud.