"Protochronism" has had very bad name in Romanian historiography circles, it usually designates a re-writing of history in favor of one's narrow interest (making everything comply with local greatness). Usually quite blunt and ridiculous attempts at finding predecessors of nativist new technologies, movements, ideas in eras long gone by, protichronists shamelessly pursue a contemporary agenda in spite of all historical common sense & anachronic warnings. Seeking the beginning of rocket technology in fairy tale flying horses or even reconstructing scenes from a middle ages proto-rocket workshop (as in a aviation museum display I've seen from the 90s) might be more or less concrete examples.
What is needed is another type of "protochronism" - less parochial and one eager to find try identifying the New in the Old, one that does not just confirm what was expected, or what was deemed just possible within bounds. How can one recover the revolutionary core of an abandoned thesis? Is there some way to enliven or avoid mechanistic materialism?
Against any vulgar materialism, Bloch creatively reclaims the primacy of matter over form, locates its in-the-process dynamic constitution, tracing an early version of what would later feed the pantheist/magick-scientific tradition of Giordano Bruno and Renaissance hermeticism. Bloch is glossing over various Aristotelian schools mobilizing great stylistic force & with the help of seemingly ungainly, hyphenated concepts. He is always on the lookout not to preempt but awaken emancipative-anticipative tendencies, latent energies to be acknowledged by posterity.
In spite of some Orientalist clichees or Avicenna (not Ibn Sina), he is one of the foremost to recognize the dialectic and dependent relation of Christian scholastics (Albertus Magnus, Thomas Aquinus) and Islamic and Jewish medieval scholars (Avicenna, Averroes, Avicebron).
The translators take on E Bloch forgotten text - Avicenna and the Aristotelian Left in the same vein as Bloch himself took on the Aristotelian metaphysics of matter.
Difficult to read and/or translate Bloch from German even for native speakers, Loren Goldman and Peter Thompson manage a great job.
It's my first Bloch text, although he was probably the first modern philosopher that stayed with me consciously throughout young adulthood, and then only as a small excerpt in a German pocket encyclopedia about the history of western philosophy, received as a gift in early 90s from abroad.
Bloch was singled out from the rest of the German Frankfurter Schule as philosopher (the others I remembered being mentioned where - Horkheimer and Marcuse), but I never got why at the time. Prinzip Hoffnung was presented on one full page - on the other there was a B&W photo of a ray of light (shimmer?!) visible along a forest pathway. Now I got a glimpse to why.
This small 2019 Columbia University book is a great introduction to his thinking & core of his metaphysics - a concrete example of why it is important to search for promissory potentials at the very material basis of reality. I kept it close to my mind and mentioned it as often as I could to friends. After visiting a show at the Frankfurt Kunstverein late in 2019 I got puzzled over why the German curators completely missed out Ernst Bloch when referring to the recent lively feminist materialism (Karen Barad, Jane Bennett, and many others). He somehow anticipates and delineates for the first time why materialism is politically relevant. His prophetic messianism rings true in apocalyptic times. His dialectical take on matter & form or the role of art in uncovering these anticipative traces (Spuren) does not always fit within orthodox Marxist tradition, but nevertheless in spite of his many critics Bloch merits renewed attention.
He seems to be the philosopher and thinker of preconditions of thinking, of natura naturans, one that seeks the unrealized slef generating potentials of matter. As he is critical of cognitive elites, he recovers a train of thought free of Godly interference or ecclesiastical dogmas, happily avoiding all manner of top-down molding. While an overall amazing reading, I felt certain recurring conceptual trappings - more becose of recent new materialist penchant for excess ontology. Everything becomes 'pregnant', blossoming, nascent etc Yes, i like this emphasis on the fruitful, bountiful wetware (especially during times of austerity), but there's always the looming (absent) questions of the stunted potentials, those that never arrive, of pause and welcome sterility. While discussing latent tendencies and predispositions of matter, which I am thankful for, I am also consciously, even taken aback (?) by all the (not referring to Bloch here) talk about sheer vibrancy & abundance, the overflowing & inexhaustible procreative character of it all. Recent vital materialists or speculative realists seem to shape the theoretical landscape around naturalism & realism. Blochian excess ontology is thus now a default feature, material animatedness is more and more convincing and sensible. What about the excess of "cold thinking", since the real procreative excess is one of analytic dimensions, of financial instruments, algorithmic mismeasure and computational frenzy that seems to overcome and overrun any material promises. Exclusive focus on dispositions, tendencies and latency seem to completly expel any human agency, at the same time as art retains a preponderent exploratory role - for Bloch was always interested in art, always sensible to the collaborative role played by humans. That is why this is important, while he animates matter he does this without deanimating humans or relegating them to the status of receptors.