Great, Complicated Plot. A Compelling Read.
After Ben and Astor share a one-night stand in college, which was misunderstood by Astor as fulfilling a bet on Ben’s behalf, the two connect again six years later over a criminal trial to which Astor, now a lawyer, is assigned.
As can be imagined, Astor’s animosity towards Ben is driven by her perception of having been used back in college. Having said that, the two had intense chemistry back then, and continue to have it now, even while endlessly fighting and trying to one-up each other.
The boisterous and loving group of friends from the preceding book in this series, ‘Trusting You,’ provides the buffer and emollient between the two. One scene where Carter and Sophie console Astor in her apartment is truly genius, with the most hysterical dialogue in the book. You don’t want to miss that.
A fascinating, complicated, and heartbreaking plot make this a compelling read. Very well written and worth the time.
Why this is not a 5-Star review:
1) Astor’s anger at having been “used” in college is driven by her assumption that Ben slept with her in fulfillment of a bet, which isn’t true, and which he denies repeatedly. Never mentioned by either character is the fact that SHE TEXTED HIM to come to her dorm room, and she opened the door purposefully dressed in lingerie. Having had that happen to me in the past, I can assure the author a guy doesn’t show up to a scene like that not understanding the intention of the lady in question. Therefore, Astor’s multi-year rage and butt-hurt about the encounter simply comes across as illogical and self-centered. Diva-esque. Meaning, as a motivational driver, it doesn’t work.
2) The word selection in this book is a little off, which was not the case in ‘Trusting You.’ Indeed, in this book the word of the day is “fugue.” People were having a fugue here, in a state of fugue there, they were, frankly, fugue-ing everywhere.
3) It would be nice to read about a New Adult (NA), female character without the de rigueur label, “strong, independent woman.” In fact, it appears that any woman featured in any Romance written in the past five years has ALWAYS been a “strong, independent woman.” We learn how strong and independent Astor is by her actions and behavior throughout the book. By the end of the book, the reader can’t help but admire her strength and perseverance in working out all the difficulties they face. Constantly labeling every leading-lady with this tired, clichéd phase basically makes a mockery of their true character.
4) For a Romance to be romantic, the two main characters need to have a certain level of empathy, gentleness, and compassion present in their personalities. I’ve read two of this author’s books and, so far, none of her leading ladies seem to possess these qualities. A woman can be strong without being mean, and that simple realization seems to escape this author. Astor, up until the very end, just comes across and self-centered and mean. So much so, you’re wondering what the leading man sees in her. I’ve said it before in other reviews, and I’ll say it again. Astor’s the kind of lady most men would summarily divorce, or drop-off at the nearest bus station, whichever could be accomplished more quickly.