In How Football (Nearly) Came Home: Adventures in Putin’s World Cup, Barney Ronay, senior sports writer for The Guardian, outlines his experiences and insights during the World Cup 2018 in Russia. Structured chronologically around Ronay’s journey, the book transports readers around Russia, mostly following England’s campaign competition, but also to the other games Ronay watched.
How Football (Nearly) Came Home combines detailed analysis of events on and off the field in Russia. In this book Ronay demonstrates his ability to vividly recreate matches, capturing tactical details and the emotions in the stadium. As readers of his columns will know Ronay enjoys a simile or two, and he deploys them in this book with the prowess that marks his much loved newspaper columns. His description of Jordan Henderson in the Tunisia game as –‘ shuttling forward with that upright gait, like a Calvary officer galloping through the ranks’ – is spot on. Ronay also taps into the general mood and atmosphere among the fans inside the stadium during games, both bringing the games alive and providing new details and perspectives for those who caught the games on TV. I was surprised, however, that there was no mention of the Pussy Riot protest in the final.
Ronay is a reliable tour guide of Russia, painting detailed pictures of the places he sees, the people he saw and the food he ate (or didn’t eat). He does so with wit and intelligence and avoids falling back on lazy stereotypes. Moreover, he’s self-aware, quick to point out the limits of his knowledge and how his British centric positionality might be clouding his judgment. As the short bibliography at the back of the book evidences, Ronay has done his homework and the historical, sociological and political background he adds to contextualize his experiences makes this book more than a summary of his thoughts. A few images, however, would have broken up and added another layer to the reader’s experience.
What I enjoyed most about this book is how he took us ‘back stage’, sharing information on what reporting on a World Cup actually looks like. Ronay tells us about the mechanics of his job, little details such as the atmosphere in the press seats and the standard journalist’s diet. These tidbits of information could (and probably should) be boring, but are instead livened up by his prose. A particular highlight is his description of the mixed zone, where he described himself as a ‘callow recruit’ in the Nang Delta, ‘straight off the boat and holding his gun backwards’.
The book contains a couple of sloppy editorial mistakes but nothing to ruin to its flow. Obviously this book can only be as long as Ronay’s journey and there is only so much he can say about his experiences with Russian transport and cuisine but it did seem a little short. Perhaps this is because it is such an easy read or perhaps it is a technique to reflect the World Cup’s pace and ephemerality.
Overall, this was a really fun read and I hope he is commissioned to relay his adventures at Qatar 2022.