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The Collected Writings of Robert Motherwell
In the history of art, only a handful of great artists have been able to articulate the nature of the creative process. Robert Motherwell was one such artist. Not only a seminal painter in the movement eventually referred to as abstract expressionism, he was also a primary theorist and
spokesperson for the avant-garde art that developed mainly in New York City during the Second World War. Throughout the formative years of abstract expressionism, Motherwell's presence as artist, editor of a series of pioneering books on modern art, lecturer, and teacher was influential in both
illuminating and shaping the development of what he termed "The Enterprise" of abstract art.
This book brings together a representative selection of Motherwell's writings about art, dating from 1941 to 1988. It contains more than sixteen essays, a number of pieces from exhibition catalogs, more than a dozen public lectures, and all the artist's vanguard editorial work. The last
includes his introductions to several volumes of the pioneering series Documents of Modern Art, which he began directing and editing in 1944; his contribution to possibilities , the first magazine devoted to modern art and culture in the United States, and his work on Modern Artists in America , a
book designed to bring balanced attention to modern art in the conservative political climate that prevailed in 1951. Excerpts from four interviews, a number of letters, and lectures, some never before published, bring the collection to within three years of the artist's death. A new chronology and
an updated bibliography provide much new information.
In a New York Times tribute shortly after Motherwell's death, Hilton Kramer memorialized the artist as the "eloquent and articulate champion of the entire Abstract Expressionist movement, an archivist of the modernist movement as a whole" and expressed regret that Motherwell's "long-awaited"
collected works had not yet appeared. Here at last is that definitive collection, nearly eighty pieces by the leading spokesperson for abstract expressionism.
spokesperson for the avant-garde art that developed mainly in New York City during the Second World War. Throughout the formative years of abstract expressionism, Motherwell's presence as artist, editor of a series of pioneering books on modern art, lecturer, and teacher was influential in both
illuminating and shaping the development of what he termed "The Enterprise" of abstract art.
This book brings together a representative selection of Motherwell's writings about art, dating from 1941 to 1988. It contains more than sixteen essays, a number of pieces from exhibition catalogs, more than a dozen public lectures, and all the artist's vanguard editorial work. The last
includes his introductions to several volumes of the pioneering series Documents of Modern Art, which he began directing and editing in 1944; his contribution to possibilities , the first magazine devoted to modern art and culture in the United States, and his work on Modern Artists in America , a
book designed to bring balanced attention to modern art in the conservative political climate that prevailed in 1951. Excerpts from four interviews, a number of letters, and lectures, some never before published, bring the collection to within three years of the artist's death. A new chronology and
an updated bibliography provide much new information.
In a New York Times tribute shortly after Motherwell's death, Hilton Kramer memorialized the artist as the "eloquent and articulate champion of the entire Abstract Expressionist movement, an archivist of the modernist movement as a whole" and expressed regret that Motherwell's "long-awaited"
collected works had not yet appeared. Here at last is that definitive collection, nearly eighty pieces by the leading spokesperson for abstract expressionism.
384 pages, Hardcover
First published January 14, 1993
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Displaying 1 - 3 of 3 reviews
July 4, 2007
my favorite art theory book to date
February 21, 2025
The more I learn about Motherwell the more infatuated I become. I initially started reading this book to pull quotes and I found that there was no shortage of thought-provoking and insightful excerpts. Unlike many other abstract expressionists, I found Motherwell’s writings to be very approachable and easy to resonate with. I feel like I really got to know Motherwell through his writing and though he sometimes prone to tangents, his self awareness and passion endeared me to him. I will admit I skipped around a bit, but I liked this format that allowed you to read what most interests you. I don’t think I would’ve read this if it weren’t for my internship but I’m very glad I did.
October 31, 2007
As far as I can tell, this was the only great painter who acquired the ability to write eloquently about his art. And actually I'm not sure if he was "great" -- I just adore his
Elegies to the Spanish Republic
wherever I encounter them. Smart guy, great promoter of that fifties abstract NYC aesthetic (lots of which I still dig), fully politicized, fun to read.
Any suggestions for other painters who are also great writers (or at least fun to read)?
Any suggestions for other painters who are also great writers (or at least fun to read)?
Displaying 1 - 3 of 3 reviews